After Auschwitz

As World War II looms, Pope Pius XI calls on a humble American priest to help him challenge the evils of Nazism and anti-Semitism. But death intervenes, and Pope Pius XII now carries out a very different response to Hitler and the Holocaust.

A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth.

70 years after a body is found floating in a Sydney river, middle aged Jewish doctor Jack learns his father, a Holocaust survivor, is responsible for the unsolved murder of an alleged Nazi and sets out on a quest to find the truth.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Teodor Kovač, Ivan Ivanji and Marta Flato survived the 1942 pogrom known as the Novi Sad raid, when Hungarian fascists killed more than a thousand people from Novi Sad and dumped their bodies under the ice of the Danube river. Sociology professor Marija Vasić fights against forgetting and teaches students about the Novi Sad raid, while the local authorities erect a controversial monument to innocent victims, and on that list are the names of war criminals who participated in the Novi Sad raid.

"Life has passed and we have achieved nothing" Thats's what Ester the youngest says. The eldest, Karola, keeps quite. Fruma, who is my mother, tries to write what she remembers. Three sisters in thier 70's, Holocaust survivors. More then 50 years have passed and still they can't talk of thier memories. This is a film about the trauma...

Germans colonized the land of Namibia, in southern Africa, during a brief period of time, from 1840 to the end of the World War I. The story of the so-called German South West Africa (1884-1915) is hideous; a hidden and silenced account of looting and genocide.

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.