Mata Hari: The Naked Spy

How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

The film features the wonderful poet of the early 20th century, Count Vasily Komarovsky. The poets Nikolai Gumilyov, Anna Akhmatova and Osip Mandelstam, among other celebrities, were not only his acquaintances but he had a considerable influence on their work. The poet’s extraordinary life gave birth to legends, whose plausibility will also be dwelt upon. Komarovsky’s niece will share her recollections with the viewer. The film is based on unique documents previously unknown to Russian and foreign scholars.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Twelve uncomfortable, deeply personal and painful stories by women who have had an abortion are read, told and 'experienced' by six male actors. Does that make a difference? Will the society listen now?

With quiet intelligence and wry humour, retired documentary filmmaker Kathleen Shannon takes us through the arc of her life and career. Beginning with childhood, moving through her formative years, to her overwhelming desire to give women a chance to tell their stories, this film paints a vibrant portrait of one woman who blazed the way. It's a story of struggle, persistence, and success… and of course, of the NFB's Studio D.

From an archived interview originally recorded in 1982, this 1990 production reveals the findings of chief congressional investigator, Director of Research, Norman Dodd, and exposes the scope and purpose of various organizations in the findings of the 1953 Reece Special Committee on Tax Exempt Foundations.