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By the year 2000, Kenneth Branagh had an admirable film career. Especially noteworthy are the 3 films that he adapted from Shakespeare plays. After his most ambitious, **HAMLET**, he focused on more acting roles and didn't step behind the camera until he produced **LOVES LABOUR'S LOST**. It pains me to say that the resulting film is audacious and sometimes mind-numbingly awkward. This review will personally serve me as I try to understand this effort. This was the first film top be created under the new _SHAKESPEARE FILM COMPANY_. It is likely obscure to most viewers as it survived only through two films, **LOVES LABOURS LOST** and the markedly better **AS YOU LIKE IT**. My guess is that the new film company was going to tackle more frequent Shakespeare stories that were already less popular and not as epic as **HAMLET** or **HENRY V**. And many of those lesser known stories contain stuff that just doesn't translate well to modern audiences. Maybe this new company can approach the stories with a more experimental approach? **LOVES LABOUR'S LOST** is certainly experimental and the results are scattered. Most obviously, Branagh took a 3 and a half hour play and trimmed it to an hour and a half, of which half an hour of it was pre-existing song standards. It seems the objective was to call to mind the musicals of the golden age of Hollywood. But the casting didn't require singing and dancing, so it often feels like we are being duped. What remains of the stage play makes for some excellent fun. Branagh knew what to leave in and what to excise. Nathan Lane and Adrian Lester join some of Branagh's frequent film collaborators. They are right there, bringing some professionality to the beautiful but otherwise sufficient casting. But the young Alicia Silverstone really shows her socks while trying to carry the important role of the visiting queen. Some of the musical numbers work to a point, some make you long for the films they emulate, and a couple are downright creepy - like the erotic _FACE THE MUSIC AND DANCE_. It tries to capture the sexy party environment of **MUCH ADO ABOUT NOTHING**, but fails. I maintain that much of the story struggles come straight from Will Shakespeare himself... The largest example - the happy ending interrupted by news that the queens father has died so she has to postpone all of their new relationships for one year of mourning. It seems a strange conceit, and Branagh tries to address it by have all 4 of his male stars go off to war, and they can all be reunited when the war has ended. In my opinion this was just as weird a solution. I remain an ardent Branagh film, but to date, this is his least re-watchable film.
Blacklisted by the major airlines for endlessly chasing female staff, pilot Rick Richards returns to Hawaii to set up a helicopter charter company with his friend Danny. Having a girl on every island is a good way to get business but it becomes clear that romance and flying don't always mix.
During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him.
Concert Film Chronicling Five Dynamic Pearl Jam Shows in Italy From September 2006. Shot In Hi-Def By Noted Photographer Danny Clinch, DVD Gives An Intimate Look At Pearl Jam's Amazing Live Performances And Behind-The-Scenes Footage From The Tour. Concerts were shot partially in hi-def in Bologna, Verona, Milan, Torino, and Pistoia, Italy in September 2006. DVD captures Pearl Jam's phenomenal live performances, as well as exclusive behind-the scenes footage of the band on tour.
The plot of his illegitimate son Mordred to gain the throne, and Guinevere's growing attachment to Sir Lancelot, threatens to topple King Arthur and destroy his "round table" of knights.
A young man tries to win the heart of the woman he likes, but not all goes to plan in this homage to the films of Charlie Chaplin.
A divorcee has a passionate affair with a much younger surfing instructor in Hawaii.
The queen of soul, Aretha Franklin, and four of the biggest female hitmakers in contemporary pop, Mariah Carey, Celine Dion, Gloria Estefan, and Shania Twain, join forces for this once-in-a-lifetime concert event where they sing their hits and team up for a variety of ensemble performances. The night also includes an appearance by legendary songwriter Carole King.
Contemporary Russia. Nadya gives up her dream of becoming a champion figure skater when she is hospitalized with an injury. But then she meets Sasha, a hockey player, who decides to teach her to believe in herself and her dream again.
A repressed gay teen transforms into a beast after being bitten by a hunky classmate.
Lucky is tricked into missing his own wedding to Margaret and has to make $25,000 so her father will allow him to marry her. He and business partner Pop go to New York where they run into dancing instructor Penny. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricky.
In the tradition of Fantasia, Make Mine Music is a glorious collection of musically charged animated shorts featuring such fun-filled favorites as "Peter and the Wolf", narrated by the beloved voice behind Winnie the Pooh. In addition you'll enjoy such classic cartoon hits as "Casey at the Bat," "The Whale Who Wanted to Sing at the Met" and "Johnnie Fedora and Alice Bluebonnet."
