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By the year 2000, Kenneth Branagh had an admirable film career. Especially noteworthy are the 3 films that he adapted from Shakespeare plays. After his most ambitious, **HAMLET**, he focused on more acting roles and didn't step behind the camera until he produced **LOVES LABOUR'S LOST**. It pains me to say that the resulting film is audacious and sometimes mind-numbingly awkward. This review will personally serve me as I try to understand this effort. This was the first film top be created under the new _SHAKESPEARE FILM COMPANY_. It is likely obscure to most viewers as it survived only through two films, **LOVES LABOURS LOST** and the markedly better **AS YOU LIKE IT**. My guess is that the new film company was going to tackle more frequent Shakespeare stories that were already less popular and not as epic as **HAMLET** or **HENRY V**. And many of those lesser known stories contain stuff that just doesn't translate well to modern audiences. Maybe this new company can approach the stories with a more experimental approach? **LOVES LABOUR'S LOST** is certainly experimental and the results are scattered. Most obviously, Branagh took a 3 and a half hour play and trimmed it to an hour and a half, of which half an hour of it was pre-existing song standards. It seems the objective was to call to mind the musicals of the golden age of Hollywood. But the casting didn't require singing and dancing, so it often feels like we are being duped. What remains of the stage play makes for some excellent fun. Branagh knew what to leave in and what to excise. Nathan Lane and Adrian Lester join some of Branagh's frequent film collaborators. They are right there, bringing some professionality to the beautiful but otherwise sufficient casting. But the young Alicia Silverstone really shows her socks while trying to carry the important role of the visiting queen. Some of the musical numbers work to a point, some make you long for the films they emulate, and a couple are downright creepy - like the erotic _FACE THE MUSIC AND DANCE_. It tries to capture the sexy party environment of **MUCH ADO ABOUT NOTHING**, but fails. I maintain that much of the story struggles come straight from Will Shakespeare himself... The largest example - the happy ending interrupted by news that the queens father has died so she has to postpone all of their new relationships for one year of mourning. It seems a strange conceit, and Branagh tries to address it by have all 4 of his male stars go off to war, and they can all be reunited when the war has ended. In my opinion this was just as weird a solution. I remain an ardent Branagh film, but to date, this is his least re-watchable film.
The purity of classical dance meets the opulant exoticism of the Maharajas' India in this 150-year-old ballet, glorified by Nacho Duato for the Mikhailovsky Ballet.
From legendary songs of Papa T. Bop. It follows Iyus, who lives with mother after his father's death. He has imaginary friend, Babah Tbob (only visible to Iyus), who helps him become a genius on his journey.
Onyx rapper Sticky Fingaz directs and stars in this hip-hop musical about a gangster who gets caught up in a bloody war between two feuding crime families while struggling to leave the streets behind. When Black's family raids one of Stick's drug houses and kills two of his men, Stick is forced to choose between leaving it all behind or seeking revenge and feeding the cycle of violence.
A divorcee has a passionate affair with a much younger surfing instructor in Hawaii.
The queen of soul, Aretha Franklin, and four of the biggest female hitmakers in contemporary pop, Mariah Carey, Celine Dion, Gloria Estefan, and Shania Twain, joined forces for this once-in-a-lifetime concert event, in which they individually sing their hits and team up for a variety of ensemble performances. The night also includes an appearance by legendary songwriter Carole King.
Marie Antoinette is the Korean adaptation of the namesake Japanese musical. The story portrays the “life and love” of Marie Antoinette de Habsbourg-Lorraine, Queen of France. The musical kicked off on Charlotte Theater on July 13, 2021.
In this 3-D science fiction film that was shown at Disney theme parks, the infamous Captain EO and his ragtag crew are sent on a diplomatic mission through space to deliver a gift to the mysterious and menacing Supreme Leader of a desolate industrial planet.
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old High School, and get a job as a singer in a music store. He also meets Leo, a talented pianist and his teacher Anne, whose dream is to singing Opera. When Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music scholarship.
In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.
A writer of pulpy book series in which he's the hero and his beautiful English roommate is the love interest attempts to finish his new book in time at the publisher's demand.
Marjorie Winfield's engagement to Bill Sherman, who has just arrived home from fighting in World War I, serves as the backdrop for the trials and tribulations of her family.
