Frequencies: The Music of League of Legends

Documentarian Jose Sanchez-Montes turns his attention towards the late Cuban musician Ignacio Villa, known throughout the world as Bola de Nieve (Snowball), with this 2003 biographical documentary entitled simply Bola de Nieve. A master pianist, Bola de Nieve was a mainstay through the middle portion of the 20th century, with his music almost omnipresent in South America cinema throughout those formative decades. With Bola de Nieve's famous statement "I'm a sad person, but my songs sound happy" in mind, Sanchez-Montes also looks at the influence of the musician's African heritage and homosexuality upon Bola de Nieve's unique musical style.

Concert film of The Police during the 2007-08 reunion tour. Recorded in concert in Buenos Aires at the beginning of December 2007, it’s released on the band’s original label, A&M, via Universal. Recording the Argentinian leg of the band’s momentous reunion tour, the album captures the three piece in concert, crammed with every hit from ‘Message in a Bottle’, ‘Walking on the Moon’, ‘Don't Stand So Close to Me’, ‘Every Little Thing She Does Is Magic’, ‘Wrapped Around Your Finger’, ‘Can't Stand Losing You’, ‘Roxanne’ and ‘Every Breath You Take’, closing with the punk urgency of the first track from their 1978 debut, ‘Next to You’.

The girl, who works as an escort, goes to a hotel room where her guest is waiting. She only finds out that today’s guest is her boyfriend.

On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

Hania (Izabella Miko) is a young journalist who suddenly discovers that she is more connected with dancing than she could ever imagine ...

When Chizuru joins as a teacher at Umega High School, she hears an amateur orchestra perform. Reminiscing her old days of playing the violin, she decides to enroll in one.

In a bland, utilitarian world of order, one worker finds his inner jazz

An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.

Chronicles Harry’s musical journey while creating his much anticipated debut solo album. The film features exclusive interviews and behind the scenes footage shot in Jamaica, Los Angeles and London during the making of the album and is complemented by Harry and his band performing songs from it for the first time at the world famous Abbey Road Studios in London.