Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
Black Girls 2024 - ()
Freelance 2024 - ()
Sebastian 2024 - ()
Hounds of War 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
The Fire Inside 2024 - ()
**I'd skip the book too.** _mild spoilers:_ This is not how you make a good movie and here is why. First off the protagonist is hard to get into, is he a punk or appreciative of the fine arts, is he a bicycle man or a driver, is he a hard ass or a lover? The story telling could not decide, there was evidence for everything. There is no way a broad audience can root for a scrawny, talent free nobody who's sense of humor is defined by holding a dead rat to his sister's face. The second big mistake, two thirds into the movie a main character dies. That's like eating a meal and half-way through someone takes away your side and says go ahead, eat up it's art now. At that point in the film it is safe to fast forward, skipping pathetic conversations the pot head fake-glasses-wearing hero has, with his bathroom sex jealous instead of happy for him girlfriend. And lastly, the probably biggest flaw of this "story". The plot was non-existent. Things happen, but none of them are intertwined. There is no structure, events just happen without connection, other than the time-line. Where are the scenes of importance you remember when interesting plot-twists happen? Where is the build-up? Character development? "Native Son" is not that kind of movie. "Native Son" is a bad movie. 1 star for production value. 8 April 2019 I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.
1920s Germany. Two sisters aged six years, no sooner see their remaining parent buried when they are torn apart. Lotte goes to live with her upper middle class Dutch aunt in Holland, Anna to work as a farm hand on her German uncle's rural farm. The World War II impacts each of their lives and finally in old age they meet again.
A murder opens up a bleak trail of long buried secrets and small town corruption for a worn out police detective and his squad.
Set in the period between the two world wars in a seaside village in the bay of Amvrakikos. Two children, Petros (8 years old) and Anthoula (7 years old) spend their summer holidays. During a walk they discover in an isolated shack a boy who lives with his mother. He is rejected by the community because of tuberculosis. Petros and Anthoula become friends with the boy. They encounter the cruelty of the adults and they decide to resist.
The timeless tale of Ebenezer Scrooge comes to thrilling new life as Tony winner Jefferson Mays plays over 50 roles in a virtuosic masterclass of a performance that must be seen to be believed.
Held captive for 7 years in an enclosed space, a woman and her young son finally gain their freedom, allowing the boy to experience the outside world for the first time.
When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.
A man tries to raise his two sons and two daughters under some of the most adverse conditions known to man. The father operates a horse-drawn cart, but in a city that is modernizing after the destruction of the Korean War, automobiles are making carts obsolete. The children are experiencing difficulties as well. The eldest son has flunked the bar exam twice and is not hopeful of passing it a third time to become a lawyer. The eldest daughter is mute and married to an abusive husband. The younger daughter tries to pose as a rich university student to move up in life. The youngest son has a penchant for petty theft.
A group of wealthy American Jewish businessmen have been captured by the SS and are told that they are to be traded to the American army for several SS officers. However, these hostages are being required to pay bribes for their "transportation costs." In order to ensure that the businessmen will be more cooperative in paying up, a beautiful female singer is placed in their midst as a bargaining chip. The group of hostages are then placed on a train which is supposed to take them to the ship that will deliver them to freedom, but a series of "mishaps" delays their escape.