Messico: punto di contatto

Is the story of a generation of thieves who achieved their greatest victories in the sixties; their distinctive code of ethics, the various categories of delinquents inhabiting the city’s streets, their alliances with high ranking police officials that allowed them to operate, the betrayals that followed, and the price they ended up paying.

Sentinels of Silence is a 1971 short documentary film on ancient Mexican civilizations. The film was directed and written by Mexican filmmaker Robert Amram, and is notable for being the first and only short film to win two Academy Awards.

This documentary examines unidentified aerial phenomenon. With testimony from high-ranking government officials, and NASA Astronauts, Senator Harry Reid says it "makes the incredible credible."

Christo Roppolo claims to have been videotaping and communicating with UFOs around Monterey, California, for several years. He contacted filmmaker, Justin Gaar, in 2013 to begin creating a film about his sightings. Skeptical of the footage but intrigued by Christo's eccentricities and wild stories, Justin begins spending time with Christo hunting UFOs along California's beautiful central coast. When a crop circle appears in Monterey County and becomes international news, Christo is validated in his belief of alien contact and Justin, shocked, begins investigating the source of the crop circle and how Christo knows beyond a doubt that he's being contacted by his "brothers from space."

Tens of thousands of Mexicans have been killed in drug-related gang violence in the past ten years. Ruthless criminals control the illegal trade with the US, thought to be worth $13bn a year. Now one of Mexico's leading politicians, known as El Bronco, the Governor of the State of Nuevo Leon claims he can beat the country's infamous cartels. For Our World Yalda Hakim has been to spend time with him.

These are the future leaders of their communities. Ever wonder what it’s like to walk a day in their shoes? How the world looks through their eyes? We were curious. So, we asked them.

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and those she inspired in women's Chicano art. The work highlights the struggle for women's and gay rights.