The Blonde Vampire

Young blonde woman seems to destroy everyone she comes in contact with.

A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.

A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.

After mistakenly killing one of his victims, a young vampire soon meets a human who shares a similar craving for blood.

After the massacre in Ukishima, Saya loses her memory and wanders the slums until she meets Haru, an unlicensed doctor, and Ran, the girl who hunts the Elder Bairns. As her memory returns, she discovers that she had relationships with them both in the past, and secret promises made by the Nanahara clan and her nemesis, Fumito. As Sayo tries to rescue kidnapped Haru, she encounters Fumito again. This feature untold story in the time period between the 2011, 12-episode TV anime created by Production I.G and Nanase Ohkawa (CLAMP), and its feature film sequel Blood-C: The Last Dark in 2012.

Three disillusioned outcasts meet in a laundromat. A punk who's lost his pills, a freshly-kicked-out-of-home youth, and a girl obsessed with vampires. What could go wrong?

A lyrical fourfold perspective on WWII through the eyes of a young partisan couple, a town photographer and a German officer.

Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob, knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.

Charley, a cyborg vampire who does the Vatican's dirty work, is the thrall of the local vampire playboy Johnny Rayflo. As the two fight crime—and each other—hilarity, violence and sacrilege ensue! But can Charley resist his own desperate cravings for blood? Find out as the devilish duo go up aginst a childlike vampire princess, a mysterious branch of the Unitarian Church...and one another.

Martin, who believes himself to be a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.