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After being abducted as children, and suffering years of abuse, a teenage boy and girl find themselves living on the street.
Gulabi is a transwoman groomed by her patriarchal father to join the military. When her father disowns her, Gulabi ends up living a life of prostitution in Kathmandu.
Tahir Agha sells all his assets when his business in Maraş deteriorates. He immigrates to Istanbul with his wife Hatice, sons Selim, Murat, Kemal and daughter Fatoş, where he sets his mind to open a repair shop. But in the metropolis, things don't go as planned.
Suleyman works at a gas station. One of his customers Kenan, who is a businessman, asks him to be his bodyguard. Suleyman is in love with Oya. Kenan wants to prevent their marriage and makes a plot with his brothel girl Cicek. Cicek has an affair with Suleyman and Kenan takes their photos. As Oya sees the photos, she leaves her job. Kenan gets her to work for his relative Leman who is a tailor. Suleyman quits his work and searches for Oya though without success. Oya gets to know about Leman and Kenan's evil plans and she gets seized on her attempt to escape. Cicek informs Suleyman about Oya's whereabouts. Everybody gets organized to save her and they succeed. Cicek shoots Leman and Kenan at the expense of her own life.
Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.
In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.
Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
Set in Italy in the contemporary world, the film deals with love, with trampled art, with prostitution, with transvestism and with the situation of the sculpture in Italy.
The gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.
Anna Tsuchiya blasts back in time playing an oiran, a top-notched geisha of the Edo period’s Yoshiwara District, navigating brothel politics while trying to cling to the man she loves.
An anthropology student exploring the nature of prostitution is drawn deeper into that profession than she ever expected.