The Royal We 2025 - Movies (Mar 2nd)
I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Fight or Flight 2025 - Movies (Feb 28th)
My Hero Academia Youre Next 2024 - Movies (Feb 28th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 28th)
Marked Men Rule + Shaw 2025 - Movies (Feb 28th)
The Golden Voice 2025 - Movies (Feb 28th)
Raduaa Returns 2024 - Movies (Feb 28th)
Cold Wallet 2024 - Movies (Feb 28th)
Uppercut 2025 - Movies (Feb 28th)
Bookworm 2024 - Movies (Feb 28th)
The Thinking Game 2024 - Movies (Feb 28th)
Gladiator II 2024 - Movies (Feb 28th)
Finding Tony 2024 - Movies (Feb 27th)
Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Red One 2024 - Movies (Feb 25th)
Love Your Weekend with Alan Titchmarsh - (Mar 2nd)
Call the Midwife - (Mar 2nd)
The Great Pottery Throw Down - (Mar 2nd)
Screwballs - (Mar 2nd)
Dancing on Ice - (Mar 2nd)
Saturday Kitchen Live - (Mar 2nd)
Saturday Kitchen Best Bites - (Mar 2nd)
The Only Way Is Essex - (Mar 2nd)
Lidias Kitchen - (Mar 2nd)
48 Hours To Buy - (Mar 2nd)
Alex Witt Reports - (Mar 2nd)
48 Hours - (Mar 2nd)
Inside with Jen Psaki - (Mar 2nd)
The Tommy Tiernan Show - (Mar 2nd)
SkyMed - (Mar 2nd)
Forensics- The Real CSI - (Mar 2nd)
The Kelly Clarkson Show - (Mar 2nd)
The Late Late Show - (Mar 2nd)
SAKAMOTO DAYS - (Mar 2nd)
Sunday Brunch - (Mar 2nd)
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Artemis Fowl was the first film exclusively released on Disney+ that I put my eyes on, and it will undoubtedly end up as one of the worst movies of 2020. From that moment on, I couldn't help but feel a bit skeptical about Disney deciding to place films initially intended for a theatrical release in their streaming service, which is the case of The One and Only Ivan. The thought "did they release it digitally because it's awful like the other one?" couldn't leave my mind, so I watched it with moderately low expectations… Fortunately, this flick is one of the sweetest surprises of this year. I didn't expect to shed tears in such a generic tale, but I did. The story follows a familiar formula from the studio but with a few twists. The protagonist is the star of a declining show when someone new comes in to save the whole thing, making the protagonist jealous. However, this time, the protagonist doesn't try to sabotage anyone to be the main attraction again. Ivan becomes very close to Ruby (Brooklynn Prince) and really wants to fulfill a heartfelt promise that he makes to Stella: to set everyone free. Mike White (who co-wrote one of the worst movies of all-time, The Emoji Movie) was also a reason for my low confidence levels, but I can now forgive him for being part of that other animated atrocity. White gives every single character a defining personality or at least a specific trait unique to that animal. Even side characters with no real impact in the story, like Henrietta (Chaka Khan), Murphy (Ron Funches), or Frankie (White himself), are clearly stuck in my memory due to their hilarious bits (I never imagined I would laugh to a "why did the chicken cross the road?" joke ever again). Ivan, Ruby, Stella, and Bob (Danny DeVito) are undoubtedly the standouts. All are characters so easy to fall in love with. Ivan works beautifully as a protagonist whose backstory is as tragic as one can imagine. His arc is incredibly compelling and emotionally powerful, so much that it still ends partially sad. His relationship with Ruby feels authentic and heartfelt, just like with Stella. Bob is definitely the funniest of them all, but even he has a story of abandonment and isolation. Every wild animal deserves freedom, and every domestic animal deserves a family home. That's a message I'll always stand by and fight for as an animal lover. The highest praise I can offer this film is that it feels surprisingly immersive, even when watching at home. When Ivan talked, I never thought "that's Sam Rockwell!". I always looked and heard Ivan as Ivan, same with every other character. The animals look impressively realistic, but movie magic reached a point where I can't even tell the difference between a real animal and a fake one sometimes. It's not really the case of The One and Only Ivan, but after The Lion King, something like the former doesn't really surprise me anymore. Still, it just goes to show how storytelling can be the headliner. I was so enthralled by the narrative that I couldn't care less about the visually stunning animals nor the excellent voice acting. I just wanted to see the animals be set free. Finally, two more impactful aspects that made the film better for me. Craig Armstrong's score is exceptionally prone to chills and tears. It's subtle when it needs to be, and powerfully moving when the big moments arrive. One of my favorite scores of 2020. The last detail has to do with the movie's inception. Don't ask me why, but I missed the "inspired by a true story" at the opening credits. As usual in this type of films, right after these end, text accompanies photos and clips, in this case, of the real-life Ivan. In an otherwise generic movie, I was emotionally shocked once I saw those real images. I finish the film with tears of happiness, but I have to leave a disclaimer. When it comes to negatives, this is one of those movies where I can't really point out straight-up flaws or technical issues. My only nitpick is that I'd have loved to see more development regarding Ivan and Mack's (Bryan Cranston) supposedly strong bond that they share as a family. It doesn't detract from the touching moments between the two, but it could have made those sequences much more impactful. It's simply a fun, entertaining, fast-paced, one-hour-and-a-half flick that works for both adults and children. However, even though there's no visible violence or animal abuse, some of the animal characters share their sorrowful, traumatic past, which can be a tad too dark for really young kids… The One and Only Ivan is one of the most loving surprises of 2020. Boasting an impeccable cast and one of my favorite scores of the year, this adaptation of Ivan's true story might follow a (slightly changed) generic formula, but it's undoubtedly an emotional journey worthy of everyone's attention, both adults and children. Mike White delivers a heartfelt screenplay, packed with memorable animal characters easy to connect with, even for viewers who aren't animal lovers. A beautiful story filled with meaningful messages and tear-inducing moments, executed so brilliantly that it became one of my most immersive home viewings of the last few years. Visually, I can't point out a single issue, the animals look incredible. If I needed an argument to convince friends and family to subscribe to Disney+, this is the movie I'd show them… Rating: A-
Nothing all that fresh, but it certainly made me feel for the characters so that's always a big plus. The cast elevate the film, for sure! Bryan Cranston, no matter the nature of any role he plays, is always enjoyable and/or likeable. He brings heart as Mack, as do Sam Rockwell (Ivan) and Angelina Jolie (Stella). I liked Danny DeVito as Bob, while Ariana Greenblatt portrays the wholesome Julia well. The (true) premise is something we've all seen before, as such you're just waiting for the 'penny to drop' so the film can get going - once that happens onscreen events do improve, culminating in a very touching end. 'The One and Only Ivan' is ideal for family viewing, I'd say.
Addie Moore and Louis Waters, a widow and widower, have lived next to each other for years. The pair have almost no relationship, but that all changes when Addie tries to make a connection with her neighbour.
Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.
Dallas, a burdened but headstrong dancer, is determined to get into the best dance school in the country—her late mother’s alma mater. However, that dream is suddenly derailed when the cheeky yet secretly grieving football star, Drayton, crashes into her life with a unique story of his own. Will the two of them be able to grow into their dreams together, or will their dreams be sidelined?
In the African American neighborhood of Sag Harbor, Charles Blakey is out of work, out of luck and on the verge of foreclosure on his ancestral home. A knock on the door from mysterious businessman Anniston Bennet brings a bizarre and lucrative proposition; rent his dusty stand-up basement out for the summer and receive enough money to clear his debts for good. Once Charles accepts, he finds himself led down a terrifying path that confronts his family’s ghosts and locks the men in a terrifying puzzle, at the heart of it race, the source of their traumas and the root of all evil.
When talented young writer Elizabeth Wurtzel earns a scholarship to Harvard, she sees it as her chance to escape the pressures of her working-class background and concentrate on her true talent. But what starts out so promising leads to self-destructive behavior and paralyzing depression that reflects an entire generation's struggle to navigate the effects of divorce, drugs, sex, and high expectations.
The lives of Eric, an ex hockey player, and his partner Sam, are thrown into turmoil when they are forced to take in Scot, a flamboyant 11-year-old.
Nazi hunter Ezra Lieberman discovers a sinister and bizarre plot to rekindle the Third Reich.
Nineteen year old pioneer woman Marty has recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Widower Clark offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
Two souls arrive in a small town, one on vacation, the other to meet a lover. They spend the most magical dream-like days of their lives in that town... with each other.
Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.
Newly arrived in Hollywood from England, Dennis Barlow finds he has to arrange his uncle's interment at the highly-organised and very profitable Whispering Glades funeral parlour. His fancy is caught by one of their cosmeticians, Aimee Thanatogenos. But he has three problems - the strict rules of owner Blessed Reverand Glenworthy, the rivalry of embalmer Mr Joyboy, and the shame of now working himself at The Happy Hunting Ground pets' memorial home.