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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Artemis Fowl was the first film exclusively released on Disney+ that I put my eyes on, and it will undoubtedly end up as one of the worst movies of 2020. From that moment on, I couldn't help but feel a bit skeptical about Disney deciding to place films initially intended for a theatrical release in their streaming service, which is the case of The One and Only Ivan. The thought "did they release it digitally because it's awful like the other one?" couldn't leave my mind, so I watched it with moderately low expectations… Fortunately, this flick is one of the sweetest surprises of this year. I didn't expect to shed tears in such a generic tale, but I did. The story follows a familiar formula from the studio but with a few twists. The protagonist is the star of a declining show when someone new comes in to save the whole thing, making the protagonist jealous. However, this time, the protagonist doesn't try to sabotage anyone to be the main attraction again. Ivan becomes very close to Ruby (Brooklynn Prince) and really wants to fulfill a heartfelt promise that he makes to Stella: to set everyone free. Mike White (who co-wrote one of the worst movies of all-time, The Emoji Movie) was also a reason for my low confidence levels, but I can now forgive him for being part of that other animated atrocity. White gives every single character a defining personality or at least a specific trait unique to that animal. Even side characters with no real impact in the story, like Henrietta (Chaka Khan), Murphy (Ron Funches), or Frankie (White himself), are clearly stuck in my memory due to their hilarious bits (I never imagined I would laugh to a "why did the chicken cross the road?" joke ever again). Ivan, Ruby, Stella, and Bob (Danny DeVito) are undoubtedly the standouts. All are characters so easy to fall in love with. Ivan works beautifully as a protagonist whose backstory is as tragic as one can imagine. His arc is incredibly compelling and emotionally powerful, so much that it still ends partially sad. His relationship with Ruby feels authentic and heartfelt, just like with Stella. Bob is definitely the funniest of them all, but even he has a story of abandonment and isolation. Every wild animal deserves freedom, and every domestic animal deserves a family home. That's a message I'll always stand by and fight for as an animal lover. The highest praise I can offer this film is that it feels surprisingly immersive, even when watching at home. When Ivan talked, I never thought "that's Sam Rockwell!". I always looked and heard Ivan as Ivan, same with every other character. The animals look impressively realistic, but movie magic reached a point where I can't even tell the difference between a real animal and a fake one sometimes. It's not really the case of The One and Only Ivan, but after The Lion King, something like the former doesn't really surprise me anymore. Still, it just goes to show how storytelling can be the headliner. I was so enthralled by the narrative that I couldn't care less about the visually stunning animals nor the excellent voice acting. I just wanted to see the animals be set free. Finally, two more impactful aspects that made the film better for me. Craig Armstrong's score is exceptionally prone to chills and tears. It's subtle when it needs to be, and powerfully moving when the big moments arrive. One of my favorite scores of 2020. The last detail has to do with the movie's inception. Don't ask me why, but I missed the "inspired by a true story" at the opening credits. As usual in this type of films, right after these end, text accompanies photos and clips, in this case, of the real-life Ivan. In an otherwise generic movie, I was emotionally shocked once I saw those real images. I finish the film with tears of happiness, but I have to leave a disclaimer. When it comes to negatives, this is one of those movies where I can't really point out straight-up flaws or technical issues. My only nitpick is that I'd have loved to see more development regarding Ivan and Mack's (Bryan Cranston) supposedly strong bond that they share as a family. It doesn't detract from the touching moments between the two, but it could have made those sequences much more impactful. It's simply a fun, entertaining, fast-paced, one-hour-and-a-half flick that works for both adults and children. However, even though there's no visible violence or animal abuse, some of the animal characters share their sorrowful, traumatic past, which can be a tad too dark for really young kids… The One and Only Ivan is one of the most loving surprises of 2020. Boasting an impeccable cast and one of my favorite scores of the year, this adaptation of Ivan's true story might follow a (slightly changed) generic formula, but it's undoubtedly an emotional journey worthy of everyone's attention, both adults and children. Mike White delivers a heartfelt screenplay, packed with memorable animal characters easy to connect with, even for viewers who aren't animal lovers. A beautiful story filled with meaningful messages and tear-inducing moments, executed so brilliantly that it became one of my most immersive home viewings of the last few years. Visually, I can't point out a single issue, the animals look incredible. If I needed an argument to convince friends and family to subscribe to Disney+, this is the movie I'd show them… Rating: A-
Nothing all that fresh, but it certainly made me feel for the characters so that's always a big plus. The cast elevate the film, for sure! Bryan Cranston, no matter the nature of any role he plays, is always enjoyable and/or likeable. He brings heart as Mack, as do Sam Rockwell (Ivan) and Angelina Jolie (Stella). I liked Danny DeVito as Bob, while Ariana Greenblatt portrays the wholesome Julia well. The (true) premise is something we've all seen before, as such you're just waiting for the 'penny to drop' so the film can get going - once that happens onscreen events do improve, culminating in a very touching end. 'The One and Only Ivan' is ideal for family viewing, I'd say.
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Karsten Aslaksen, chief engineer of a large chemical company, disappears without trace. His married lover, a successful politician named Vibeke Farang, approaches private investigator Varg Veum to track him down discreetly.
The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.
Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.
Coach Jim Ellis shocks the community and changes lives when, aided by a local janitor, he sets out to form Philadelphia's first black swim team. But the odds are against them as they battle rigid rules, racism and more.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
A young hapless couple's devotion for each other is tested through harsh times of war as they are forced to negate patriotism and dependability to their families and nations, for a length of a lifetime before during and after the war. This movie is not a colorfull. About 5 years later, this movie was shot again wtih same actors and actresses (except for Selda Alkor).