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If We Knew is a documentary about paediatricians in an intensive-care unit for newborns. A film about the compassion needed to heal the sick and occasionally needed to hasten the death of a child.

Born 3 months premature and weighing only 1 pound 12 ounces, Mollie was given a 1 percent chance of survival. Through months of struggle, which included nearly one year in the neonatal unit of Grand Rapids, Michigan's Helen Devos Children's Hospital, Mollie proves that miracles happen. "Preemie" highlights the struggles, the pain of having a preemie, and the stories of how strong the smallest of babies are.

At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.

A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.

A short documentary on the River Ouse, following it downstream from Lewes to Newhaven, meditating on the surrounding area.

The daily workins of Austria's Danube Hospital.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

The small regional hospitals of Vevey, Montreux, Aigle and Monthey are closing in favor of the new, larger, more adapted and more modern hospital in Rennaz. As the construction of the new hospital progresses, emergency physicians Eric and Frédérique tell us about their daily life in the face of illness and death.

Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.

Kazuo Nishii, renowned editor and photography critic, died in 2001 of stomach cancer. Two months earlier he contacted Naomi Kawase, whose works he admired, to document the remaining weeks of his life. Kawase visits him in the hospital and films the progression of his sickness and the conversations between the two.