The Road to Sunrise

Mbeu Yosintha was made to help farmers and rural communities cope with the effects of climate change and in particular the ever changing rain patterns in South East Africa. The film is a drama using local actors and was devised with Malawian writer Jonathan Mbuna following extensive research with various agricultural NGOs in Malawi. Following successful drama like Mawa Langa this film has already been seen in Malawi by over 10,000 people in rural areas using a pedal-power cinema kit.

A teen-aged nanny is impregnated by her employer, who pays for her education to keep her quiet.

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

Follows Molina, a 12-year old Malawian girl who is forced to leave school and enter an arranged marriage to improve the family's economic standing. Once married, Molina quickly becomes a young mother and the victim of an abusive husband until the arrival of Chief Kachindamoto.

Enock is six years old when he is taken to a Confucian Buddhist orphanage and given the Chinese name Alu. He becomes extremely skilled in acrobatics. Suddenly he must make a choice to reunite with the culture of Africa or to sign up for five years in order to study in Taiwan.

It's hunting season, as well as Eda's 25th birthday. As a present, her father offers her an apartment under seizure.

A faithful recounting of the ministry, trial and martyrdom of the fifteenth century Bohemian priest John Hus, who built on the reforms of John Wycliffe, taught the Bible in the vernacular and who influenced Martin Luther a century later.

Sandamarutham is an age old story of an honest cop and his mission against a deadly villain, the only silver lining here is that Sarath Kumar has played both the villain and hero. Sarveswaran (Sarath Kumar) is a deadly don in Kumbakonam and he runs the underworld chemical bomb business to devastate the entire country. Mean time, we are shown another Sarath Kumar (Suriya) who is an undercover cop and he gets to know the real side through his honest cop friend Thirumalai (Samuthira Kani) who was murdered by the same chemical bomb. On his mission Suriya also encounters RR (Radharavi) who is a close friend of Sarveshwaran. The rest of the story tells how Suriya knocks down Sarveswaran.

Tonight, young Max is learning how to be an assassin...

Four cops try to stage a crime in their crime-free, model village so that they are not transferred from the place. But their naive attempts result in far-reaching conclusions.

Can a 100-year-old tea shop, which is more of a home for a group of regulars and a legacy for its soft-spoken owner, survive a road widening plan?