Residencia

A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

Katrine is to be married. Her fiancé is gorgeous, their appartment is luxurious and her future in-laws are wealthy. Katrine only has one problem: she sometimes finds it difficult to tell the truth, and this sends her on a round-about jaunt with an old friend, Thomsen, who has just barged in unannounced from Kenya and who wants to return a favour and help Katrine with her wedding preparations. A labyrinthal excursion takes place. Tomorrow is another day, the wedding day!

Peter and Chris, two young American friends in their late 20s, go from South Dakota to California on a scooter, and as they travel across the American landscape they see their country through different eyes, ranging from Peter's cynically nihilistic point of view, to Chris' high expectations and romantic notions of the United States.

A documentary crew enters a drama school in Brussels to examine the controversial method of one of its teachers: the Open Door method. The great atmosphere soon disappear as ill-feelings settle.

The family of a wealthy businessman gather to celebrate his 60th birthday. During the course of the party, his eldest son presents a speech that reveals a shocking secret.

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.

Fabián, a magician from Buenos Aires, saves his money from weddings, birthdays, and bar mitzvahs, and uses a hidden camera to document a week-long trip to the Falkland Islands where he has a patriotic plan: to impregnate a British woman. If 500 Argies do this annually, the islands will soon be overrun with children belonging to both cultures.

Two stories run on parallel lines in a nocturnal Rome. Marcello is an easygoing sixty-five-year-old film producer trying to convince a beautiful actress to accept a part in a film. The other protagonist is a group of petty criminals and illegal immigrants who pass the night stealing, taking drugs, having sex and drinking. Marcello talks about his experience working with Fellini and Mastroianni during the wonderful years of DOLCE VITA; this strongly contrasts the city experienced by the immigrants.

Gypo is the story of a working class family in Margate, Kent, a town where immigrants have become the focus of most of the public's discontent. The film tells the story of the a couple of weeks in this family's life, beginning when a young Czech girl, Tash, comes to visit. The film is made in the Dogme95 tradition, so no costumes, no lighting, no props or sets, which gives the film a gritty texture appropriate to the story.