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1940, Kawamoto Akiko lives in Hiroshima with her father and mother, Genkichi and Shizuko, as well as her two younger brothers. Akiko loves playing her favourite piano. As the war situation worsens, she is busy helping out the war efforts. On the morning of August 6, 1945, she disobeys her father and heads into the centre of town for work. In Hiroshima 75 years later, her favourite piano remains, restored and playable following its survival of the atomic bombing
Through the daily life of a Japanese family living in the Hiroshima of the nineties, this documentary uses valuable testimonies to reflect on how these people continue to overcome the atomic bombing of 1945.
Explore how one man's relentless drive and invention of the atomic bomb changed the nature of war forever, led to the deaths of hundreds of thousands of people and unleashed mass hysteria.
After the atomic obliteration of Hiroshima and Nagasaki, over 36,000 Australian men and women, part of the British Commonwealth Occupation Force (BCOF), marched onto Japanese soil. They were assigned the toughest and most dangerous area of Japan: Hiroshima Prefecture, which included the atom-bombed city. The Forgotten Force tells for the first time the story of Australia's role in Japan. Rare archival and private footage, photographs and eyewitness accounts from both sides vividly recreate the atmosphere of post-war Japan - the horror of Hiroshima and its aftermath; the struggle to build a new "democratic" society while under the heel of military rule; the growth from suspicion and fear to friendship and trust between foes.
With the passing of Nakazawa Keiji in December 2012, Barefoot Gen’s Hiroshima now stands as the manga artist’s last message of peace to the world. Mr. Nakazawa recounts his life, from the aftermath of the atomic bombing up until the days he created his acclaimed manga series Barefoot Gen (Hadashi no Gen), by exploring sites of painful memories in Hiroshima. Through Mr. Nakazawa’s story, and his original art work, Barefoot Gen’s Hiroshima illuminates the nature of war and nuclear weapons, urging us not to repeat the past.
Hiroshima and Nagasaki: 75 Years Later is told entirely from the first-person perspective of leaders, physicists, soldiers and survivors.
This was the only documentary made in the aftermath of the atomic bombings of 1945. Japanese filmmakers entered the two cities intent on making an appeal to the International Red Cross, but were promptly arrested by newly arriving American troops. The Americans and Japanese eventually worked together to produce this film, a science film unemotionally displaying the effects of atomic particles, blast and fire on everything from concrete to human flesh. No other filmmakers were allowed into the cities, and when the film was done the Americans crated everything up and shipped it to an unknown location. That footage is now lost. However, an American and a Japanese filmmaker each stole and hid a copy of the film, fearful that the reality of Hiroshima and Nagasaki would be hidden from history. Eventually, these prints surfaced and became our only precious archive of the aftermath of nuclear warfare - a film that everyone knows in part, yet has rarely seen in its entirety.
In 1914, the Czech architect Jan Letzel designed in the Japanese city of Hiroshima Center for the World Expo, which has turned into ruins after the atomic bombing in August 1945. “Atomic Dome” – all that remains of the destroyed palace of the exhibition – has become part of the Hiroshima memorial. In 2007, French sculptor, painter and film director Jean-Gabriel Périot assembled this cinematic collage from hundreds of multi-format, color and black and white photographs of different years’ of “Genbaku Dome”.
Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.
In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.