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Well you don't get much chance to draw breath for the first fifteen minutes of Frank Lloyd's silent interpretation of this exciting seafaring story. "Sir Oliver" (Milton Sills) is sitting by the fireside of his manor house dreaming of his fiancée "Lady Rosamund" (Enid Bennett) when the wheels start to come off his well ordered life. He finds himself wrongly blamed for killing "Godolphin" (Wallace MacDonald) who happens to be her brother and who has actually been bumped off by "Lionel" (Lloyd Hughes) who happens to be the half brother of the poor soul who's now in a lot of trouble! Fleeing seems like the order of the day, but that is just a frying pan to fire exercise as he is captured by the Spaniards and put to the oars of a galley. He's quite a wily fellow, makes some friends amongst the shackled and manages to escape. Once free, he does his own "Count of Monte Cristo" impersonation, becoming "Sakr-el-Bahr" and scaring the wits out of the other seafarers using the high seas to trade. Meantime, a dejected "Rosamund" is facing the prospect of a marriage to the treacherous "Lionel" and when news of their impending nuptials reaches a certain Morrish stronghold, "Sir Oliver" sets off to kidnap the pair. Thing is, she is a beauty and she turns the head of the ageing but clearly still up for it Basha (Frank Currier) so now they must make other arrangements before she heads to his harem... Can they manage to reconcile, deal with their duplicitous relative and make it back to home and hearth in Blighty in one piece? It's a quickly paced and lively swashbuckler this, with some seriously impressive maritime combat scenes with life-sized ships and an astonishing degree of attention to detail amongst the costumes, action and the settings. Sills looks like he's enjoying himself - especially when he gets into his Arab garb and starts a-pirating, and Bennett and the engaging Wallace Beery contribute strongly too. It's a good adventure film, and though there is romance at times it doesn't ever bog down the plot and, indeed, "Lady Rosamund" is just as formidable a character as any of the men.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
An endearing light comedy about a woman who spontaneously becomes a resident of Venice after her family left her behind. While enjoying the wonderful people she meets she achieves a new life and the first time independent of her family.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
The family of a wealthy businessman gather to celebrate his 60th birthday. During the course of the party, his eldest son presents a speech that reveals a shocking secret.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.