In the Wake of the Flood

Portrait of Leónidas Barletta, founder of Teatro del Pueblo, the first independent theatre in Latin America. This film on the controversial theatre director and left wing journalist is constructed from the letters and books Leónidas sent to his young sister María Angélica, godmother of director Miguel Colombo, who decides to leave her brother's legacy in the hands of her godson before she dies.

A feature-length documentary that delves into the life of an old spinster who, by convention, must be called señorita. Bound by rigid moral and family precepts, well-born ladies do not usually tell intimacies. However, the virgin - as the people of Xalapa have always called her - has agreed to confess and show her personal refuge, marked by solitude and the daily fulfillment of a sacrificial ritual.

Biosludged reveals how the EPA is committing science fraud to allow the ongoing poisoning of our world with toxic sewage sludge that's being spread on food crops. Features former top government scientist and EPA whistleblower Dr. David Lewis.

French architect Jean Nouvel has long been known in Europe for his bold, shimmering glass museums, concert halls, and high-rise towers. Now the much-acclaimed new Guthrie Theater in Minneapolis, Minnesota, which opened in 2006, is displaying Nouvel's remarkable talents to an American public. With a cantilevered lobby that extends 175 feet over the Mississippi River, the dark midnight-blue, aluminum-paneled structure has captivated the culturally conscious city and helped spur the rejuvenation of a once-industrial waterfront. In the tour, Nouvel takes us through three distinctive theaters he designed for the Guthrie, and out onto the cantilevered deck to view the legendary river that inspired the boldly elevated design.

A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.

A feature documentary set in Kigali, Rwanda, the epicenter of the genocide that left a million dead two decades earlier. The film follows eccentric retired Dartmouth Professor Emeritus, Andrew Garrod, as he mounts Romeo and Juliet with college students from both Hutu and Tutsi backgrounds. Hopes, expectations, pasts, personalities and cultures collide as opening night approaches.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

Pepedrilo and his peculiar connection with nature are embodied by the care and protection of a crocodile sanctuary, whose stability is put in danger day by day by the threat of men.

A blend of fact and fiction, based on the actual lives of the actors, the film depicts a troupe of actors and dancers struggling to practice their art in the burned-out shell of Cambodia's former national theater, the Preah Suramarit National Theater in Phnom Penh.

This film documents the efforts of a group of Canadians and Americans to save the whooping crane from extinction. They display great determination in their dealings with this independent, pre-Ice Age creature. The issues of wild animals imprinting on people and the preservation of wild animals in captivity are examined in this film. Produced in cooperation with the Canadian Wildlife Service and the United States Fish and Wildlife Service.