Cold Side

When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.

Struggling if the existence of his love is real or not, Matthew embarks on a train journey to find it. As he travels without a fixed destination and searches for his beloved, he begins to hallucinate between imagination and reality, trying to realize which is which. Was it true love or just metaphysical?

Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.

A mother and daughter rent a house for a getaway after suffering a sudden and tragic loss, little do they know the house is run by a secret cult.

One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life.

At a boarding school for young adult male orphans, the affectionate bond between two friends turns brutal when their peers accuse them of homosexuality.

Final entry in Adrian Țofei and Duru Yücel's trilogy which includes Be My Cat: A Film for Anne and We Put the World to Sleep.

Set in a war-torn land where tribal factions live in fear of annihilation, the film tells the story of a deadly warrior leading a destructive war campaign. When he is betrayed by his own and left for dead, he is healed by a mysterious princess and taken in by a hidden tribe that believes he was chosen to wage a final battle.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

In this black-and-white minimalist short film, a man encounters his lost love in a metaphysical realm. Through symbolic elements like a dove, a fountain, and an angel sculpture, the film explores themes of love and loss. Their poetic conversation blurs the lines between reality and the transcendent. Inspired by ‘Hiroshima mon amour,’ the film invites viewers to interpret the enduring nature of love and the acceptance of loss.