தலைவாசல்

Mature student, divorcee and mother of three Josie finds the social pressures in and out of university more demanding than her academic studies.

Teen son of black couple is murdered during a robbery. Murderer gets 40 years and has cute son (6-8yrs). Mother of murdered son wants to take-in/adopt the boy, husband objects. Kid's dad objects.

When an accident leaves a young boy in a coma, his parent's love is put to the test as they resort to a dangerous plan to save him.

Fábio is a romantic guy who is about to marry the girl of his dreams, but his relationship ends because of a compatibility test proposed by Patrícia Bacchi, a famous digital influencer.

A 1981 high school teen dramedy.

An aristocratic widow discovers that her former lover, a medical officer in the British army, is secretly a German spy.

In August, 1918, Matsuura Ito lives in a coastal village of Toyama with her husband and three children. During the summer, there wasn't much fish to catch, so her husband has been far away from home to catch fish. To support herself and her children, Ito carries goods from ships like the other women in the village. Meanwhile, the residents encounter rising prices for rice. The women are unable to feed their family due to the high prices of rice. The women ask a nearby rice store to sell rice at lower prices, but it fails. The price of rice continues to rise daily. Due to an incident, Ito and the other village women step up to the plate.

Hiyori (Kei Tanaka) is an ornithologist (expert on birds). His wife is Rinko (Miki Nakatani). She is the leader the minority opposition party. One morning, Hiyori is about to travel to an isolated island to watch birds on a 10 day trip. Before he leaves, Rinko asks him if she becomes the prime minister would he be inconvenienced. Hiyori then goes on his bird watching trip. During this time, he is completely isolated from the outside world. When he returns home, his wife Rinko is now the prime minister of the country. She is also the first ever female prime minister of Japan. Suddenly, Hiyori is now the first gentleman of the country. He decides to support his wife, but he finds himself caught up in unexpected circumstances.

When a student of intergalactic anthropology is assigned to study our planet, she takes a keen interest in the cosmic cuties and heroic hotties battling beyond the stars and invading our fertile, green orb.

An old widower, Jasper, routinely makes coffee in two mugs and picks up trash around his community. Some of his more interesting finds speckle his home. His neighbors mostly disregard him. On one of his regular hunts, he chances upon an envelope. To his surprise, he finds old wedding photos and presumes the addressee, Angie, to be the bride. Determined to complete the delivery, Jasper follows a map to the address. When he finally arrives, his excitement is upended when Angie, now divorced, rebuffs him and the photos. He leaves her with an open invitation to his home, should she change her mind. The next morning, Jasper starts his routine-only to find Angie at his door. After a heart-to-heart on loss and new life, Jasper invites Angie to pick up trash with him. Together, they go.

In the 1990s, Liu Zhiyong (Shen Teng), a small-time employee at the Meteorological Bureau, epitomizes the group of self-seeking intellectuals, but is instead a rebel in the iron rice bowl. Growing up in a patriarchal family, he always thought he could make a name for himself. It is at this time that Liu Zhiyong receives an invitation from a close friend to go to Xihai. Liu Zhiyong quits his job in the system and prepares to go to Xihai from the mainland to seek opportunities and to start crashing into all the established “orders”. Liu Zhiyong and three other young people gathered in the city of Xihai, in that era in the real estate industry in the ups and downs of the boom, their experience of the ups and downs of the three young people to break into the West China Sea, dare to take risks, looking forward to their youth to break into a better future, but gradually walking on the edge of the line in the radical.