Deckname Jenny

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

After the passing of his wife, a single father attempts to reconnect with his daughter as she crumbles under the weight of severe neglect and substance abuse.

A shell-shocked photojournalist, haunted by what he has witnessed on assignment in Africa, returns home on the eve of becoming a father. When one of his photographs threatens to destroy a Sudanese refugee's new life, the two men are reunited by nightmare events from the past.

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

After a dangerous sea crossing and a stay in a camp in Malaysia, the young Vietnamese Tinh and her family are accepted as refugees in Canada and arrive in Montreal where they begin their new life. But for Tinh, adapting has its share of difficulties.

When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.

In 2015, the Syrian boy Aylan appeared dead on the beach in Bodrum, Turkey. The image shocked and alerted the world to the refugee crisis. The film imagines what would have happened to this child until the day of his death, when the boat in which he was with a family heading to Greece turned on the high seas. The story arises from a moment of magical realism, in which Aylan's spirit emerges from his body and wanders back to the world of refugees and those provoked by war, who escape to escape for a better life.

In Letter to the King we meet a group of refugees, all with their own agendas, on an excursion to Oslo. A young man about to be deported visits his former employers to collect his off-the-books salary, a martial arts expert is looking for work, a young woman is haunted by the past and out for vengeance and an old man named Mirza is busy writing a letter to the king to get his final wish granted. An altogether urgent and nuanced portrait of a motley group of individuals, too often regarded as a homogeneous group.

While Guillermo tries to fix his romantic life making a film about it, he will discover another reality through Samir, a Syrian refugee, who will make him think that all his issues are superficial.

On a Mediterranean shore, a Syrian father's decision to give his daughter a better life puts her in danger of losing it.

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.