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Hardwicke clones Twilight style on every way in this movie: photography, editing, dialogues, disconnected story telling and even the looks of the male hero. However, the script is interesting and keeps you hooked on not knowing what's going on until the end.
This artistic masterpiece is unfortunately undervalued. Unfortunately, Warner Bros. Entertainment does not know its worth, and due to their lack of interest in it, it has become obscure. This artistic masterpiece must be revived again. Warner Bros. Entertainment must do this, just as 20th Century Fox did when it released two improved releases of the Titanic movie in 2003 and 2012. Who would believe that a movie released in 1997 is now available in 4K quality and 3D technology?! Warner Bros. Entertainment must re-release the movie trailer in 4K quality as a first step to correct its course, and launch a new strong marketing campaign for the Red Riding Hood movie, just as it launched a strong marketing campaign for the Barbie movie that does not deserve it. They should do this for the movie that deserves it, not the opposite. Essentially, the reason for the lack of fame of the Red Riding Hood movie was the failure of Warner Bros. Entertainment in its marketing campaign for the movie, as it was a very weak campaign, in addition to its excessive pursuit of the PG-13 age rating instead of accepting its R-rating, which led to changing the ending for the PG-13 rated cut. The reason was not the movie itself or the director Catherine Hardwicke. In fact, Catherine Hardwicke directed the movie in an unimaginable way, especially in the unrated original cut of the movie known as the Alternate Cut. The existence of a rated cut without additional terms such as (Alternate Cut) does not necessarily mean that it is the original cut. In fact, the original cut is the one that was not modified to fit the PG-13 age rating. The original cut is the one that was released as is without modifications. The original cut is the one that the MPAA did unrate, so you always find the word Unrated next to it. The original cut is the Alternate Cut, and it was not named Director's Cut because Warner Bros. Entertainment changed the ending of the PG-13 rated cut to fit the PG-13 age rating. Therefore, it is no longer possible to name the original cut as Director's Cut, as this title does not include the change in the ending. Therefore, they had to name the original cut as the Alternate Cut to include the change in the ending. As you know, production companies do not like the R-rating because it narrows the audience range, which reduces revenues. Therefore, Warner Bros. Entertainment pressured Catherine Hardwicke to modify the movie to be released with a PG-13 age rating instead of an R-rating. This explains why the ending was changed in the rated cut compared to the unrated original cut. In my opinion, both cuts are successful artistic masterpieces, but the original cut is more artistically successful, and I loved it more. My rating for the rated cut (modified) is 9/10, and my rating for the unrated original cut (Alternate Cut) is 10/10. It is the best and greatest of all time in presenting the story of Red Riding Hood, and no movie surpasses it in presenting this story. Thank you, Catherine Hardwicke, for this artistic masterpiece.
During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.
Father Michael McKinnon goes from the UK to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile Eleanor and Arthur desperately want to have a child, but Arthur is sterile, so they hire Harvard law student Roger Martin to impregnate Eleanor, but unfortunately Roger falls in love with her.
Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.
A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.
Anne B. Real is the coming of age story of a young female rapper, who finds her inspiration by reading the Diary of Anne Frank.
In a contemporary world in one of the European cities, three friends, as they face a military conflict in their country, must modify their plans for the future.
A man recalls his relationships with the women he loved as he tries to help another man try to understand them as well.
A rebellious teen becomes embroiled in a dark conspiracy that involves her late father, after everyone thinks she drowned while vacationing with her estranged stepmother on an island.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
A brutal assault changes Marieke's life. She leaves her familiar city rhythms for the solitude of a isolated house in the countryside. Her irrational fears on the frozen farm are a constant struggle. As spring's orchestra begins, her curiosity for new things that cover the cold rot of winter pull her out of the suffocating interior of her mind. Slowly she accepts the help of John, her neighbour.