Once in a New Moon

Girls in my Hometown, released in 1991, is a melodrama dealing with individualism and sacrifice. A young girl has a friend who has just come back from abroad, bringing with her foreign fashions and foreign ideas. When the solider to whom the friend was engaged becomes blinded in an accident, she decides to put herself first, neglecting her duties to her fiancé and the community she lives in.

A working class teenager comes of age in 1910s rural Sweden, moving through a series of jobs and romances that gradually shape his future.

The architect Daniel Brenner is in his late thirties when he receives his first challenging and lucrative commission: to design a cultural center for a satellite town in East-Berlin. He accepts the offer under the condition that he gets to choose who he works with. This way, he reunites with former colleagues and friends - most of them architects or students of architecture who have since chosen a different profession due to personal restraint or economic confinement. Together, they develop a concept which they hope will be more appealing to the public than the conventional and dull constructions common to the German Democratic Republic. However, their ambitious plans are once and again foiled by their conservative supervisors. As frustration grows, Daniel has trouble keeping his career in balance with his family-life: his wife Wanda wants to leave for West-Germany.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

Swann Périssé’s special that was written in a week, produced, shot and edited in the month of June 2024 after the first phase results of the French Far-Right Party (Rassemblement National) at the Legislative Elections.

The cabaret artist Marc-Uwe and the kangaroo are faced with a problem: Lisbeth, the mother of Maria has taken a wrong turn somewhere and is now denying the climate crisis on the Internet. How can she be brought to her senses? The two make a bet with each other: If they don't manage to bring Maria's mother to her senses, they will lose their apartment. So Marc-Uwe and the marsupial embark on a trip to the Conspiracy Convention in Bielefeld and shortly thereafter become part of a tangible conspiracy led by conspiracy guru Adam Krieger and his followers. As the two flatmates talk their heads off, it's no longer just about their apartment for Marc-Uwe and the kangaroo, it's more than that: it's a matter of life and death!

A documentary that explores questions of secrecy and power in relation to the East German Secret Police (the 'Stasi') within East German society. The film is based upon key findings from an extensive research project, 'Knowing the Secret Police', and reflects upon how different kinds of knowledge were circulated through social, religious, political and literary networks within the former GDR. The filmmakers present this research with footage filmed at key locations throughout East Berlin and the wider surrounding landscape, including the Stasi archives and former HQ, Karl-Marx-Allee, Volkspark Friedrichshain, rural 'dacha' cabins, the urban neighbourhood of Prenzlauerberg and the social housing estates of Marzahn.