Harold et Maude

Tartuffe, a hypocritical man confided in false devotion, monopolizes the confidence of Orgon, a wealthy bourgeois and undertakes to seduce his wife Elmire. Having been unmasked by the latter, he strives to precipitate the ruin of his benefactor.

Haxel airport. Now Another small player between airports and New York JFK and Paris Orly. But the runway is almost a fact and the Hema found is willing to pick up the big red letters of the roof. Nothing is therefore a landing of Major discounters logged in the way. To Haxel Think big! Give nature back to the asphalt. A runway encountered on the way various pick-up points. Unique in Europe. Ter Haxel International Airport. Never hoof Laying Where Lies Netherlands. But then Tackle boys now. It is rumored that the first Boeing is already underway. And No Worries. A little lost kerosene Really not bad for your vegetable garden. Chest out and let all hell break but. Never save yourself. HE dying himself saves Gets No interest. That may immediately a tile.

A man from a family of rich snobs becomes engaged to a woman from a good-natured but decidedly eccentric family.

Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.

In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.