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In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
Ari can’t satisfy his wife Sara. He crashes his speedboat into a cliff and winds up in Switzerland for rehabilitation in what may or may not have been a suicide attempt. Alex, commissioned to paint Sara’s portrait by Ari, becomes Sara’s house guest and sex partner in Ari’s absence. Teresa, Ari’s secretary and ex-lover, is jealous of Sara’s relationship with Alex and schemes to break them up.
Guerrino, a prematurely widowed businessman, falls in love with Chantal, a former paratrooper in the German army who changed sex a few years earlier.
A grieving husband struggles to come to terms with his wife's passing. Following a night-time visit to her grave, he picks up a transgender sex worker.
35-year-old Asuka works in a lakeside fish factory. She’s about to be married to her boss, Taki, but one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned when they were 17.
Rome, 70s. Rocco and Antonia, high school students, meet during a political rally. The two young people share age, political ideas, dissatisfaction with their parents. Moreover, by attending, they realize they have fallen in love. It is the discovery of sex and passion. After some time, however, their relationship goes into crisis.
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
Procida, a little Island in the gulf of Naples. Last days of summer. The adolescence of Domenico is coming to an end, just like his tormented relationship with Marcello. Domenico looks for hospitality at Antonio's house, his best friend, but soon he finds himself alone with the thirteen-years-old Antonio's brother, Lallo. A journey of discovery starts, between adolescence and maturity. The meeting with Sara, a transsexual woman, will bring to light the desires of the two young boys.
At a very camp party in Paris, guests are told about a strange tom-tom played by an Andalusian gipsy, himself a character in a book by a young novelist present at the party. A frantic quest begins for a mysterious love-filter. Tam Tam shows desire and repression through the subversion of archetypes both social (ambassadors, stars, artists) and sexual (homophiles, transvestites, transsexuals), and converting these into a most accurate account of a certain kind of unease: an identity crisis.
Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?
Kristian, who is a transvestite, still lives at home with his mother Emma, because she loves him just the way he is. Life as a transvestite offers many humiliations from the outside world, but with his mom, Kristian feels that he can be himself. Until one day when Emma meets the alcoholic Søren, who does not have the same tolerance...