Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
Second-hand car sales man Willenbrock has everything that he could ever wish for. He is married, has two lovers, a cottage in the German city Grünen, and a BMW. Yet one day while at his cottage he gets mugged and his life is drastically changed. Little by little the world he once felt safe in falls apart around him.
Robert Tisdall finds on the beach the corpse of a woman he knew. Others wrongly conclude that he is the murderer. Fleeing, he desperately attempts to prove that he is not the killer. A young woman becomes embroiled in the effort.
What seemed like a naive adventure of love becomes a tragedy, since our protagonist Javier, being seduced by young friends of his uncle, discover a hidden plot: "The Oedipus complex". This trauma leads Javier to cause an accident in which his mother's lover dies and unfortunately herself. But the tragedy will continue.
In the Chatterley country estate, monotonous days follow one after the other for Constance, trapped by her marriage and her sense of duty. During spring, deep in the heart of Wragby forest, she encounters Parkin, the estate’s gamekeeper. A tale of an encounter, a difficult apprenticeship, a slow awakening to sensuality for her, a long return to life for him. Or how love is but one with experience and transformation.
A nutty inventor, his frustrated wife, a philosopher cousin, his much younger fiancée, a randy doctor, and a free-thinking nurse spend a summer weekend in and around a stunning - and possibly magical - country house.
Dealing with a girlfriend suddenly leaving is tough enough. But for Hank, heartbreak couldn’t have come at a worse time. There’s also a monster trying to break through his front door every night.
Navarra, Spain. Alba has just turned thirty and is about to enjoy a weekend with her boyfriend and her friends in an isolated country house, but soon she will notice that this particular weekend is not at all like any other that she has lived before.
This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.
Thomas and Hanna, a deliriously happy couple in their late 30s, buy an old house in the country with plans to fix it up over the summer. Hanna is looking forward to their time together – so when Thomas invites his older brother, Friedrich, who is deeply depressed over the failure of both his business and his marriage, to join them, she is disappointed by the intrusion. Easygoing, charming, and talkative, Thomas seeks to counterbalance the cloudier mood with an impetuous frenzy of activity, but Hanna retreats into sullenness and retaliates by bringing in her nubile young godchild Augustine until things smooth themselves out. Augustine’s youthful sexiness has anything but a soothing impact on Thomas, however, whose adolescent impulses linger just below the surface.