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I thought this was a fairly entertaining western. Hardly a classic, but better than many I have seen. It seems like they accurately followed some of the sequence of interactions between Billy the Kid and Pat Garrett, from what I have read. I mean, it is a feature film, not a documentary. I will say that I think they tried to shoehorn the kid (the child, =as opposed to The Kid) a bit too much into the orbit of William Bonney. And some of his actions seem too old for the age he is portrayed as being. Maybe they should have made him a teenager and be done with it. Also, a few people referred to the young co-star as the Kid, so we had two "the kid"s. And I think his two voiceovers were unnecessary distractions. I can't see myself watching this again anytime soon, but there was enough depth to it so I don't regret the time spent watching it.
There are a LOT of ways that this has been handled by Hollywood over the years. Pat the good guy, Pat the friend of Billy, Billy the good guy, Billy really lived. Most of the time, not matter what path it takes, there is an element of fun and a really decent story behind it. This one a great cast, it takes a great story and it kind of sucks all the drama out of it. It makes it all a bit flat and, honestly, it should be thrilling. I'm not sure what went wrong here. It's watchable...but it's not good. It's a flat an unambitious telling of the Billy the Kid story and done with all the creativity as a paint by numbers.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Plot TBA. The second installment in the Infinity Castle story arc.
Plot TBA. The third and final installment in the Infinity Castle story arc.
In 1895, Oscar Wilde (1854-1900) was the most famous writer in London, and Bosie Douglas, son of the notorious Marquess of Queensberry, was his lover. Accused and convicted of gross indecency, he was imprisoned for two years and subjected to hard labor. Once free, he abandons England to live in France, where he will spend his last years, haunted by memories of the past, poverty and immense sadness.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
A housemaid falls in love with Dr. Jekyll and his darkly mysterious counterpart, Mr. Hyde.
Two brothers who hate themselves are going to spend Christmas with their mother. She tries to get them together.
