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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
Lasseter is smart enough to tell us a completely different story than in the first movie. However, it is far from other titles like "Toy Story" or "The Incredibles".
I like 'Cars 2'. It doesn't deserve to be held in the same bracket as 2006's 'Cars', but that doesn't mean there's not a good time to be had with it. The premise mixes motorsport with espionage, admittedly they don't execute it incredibly but it's still satisfactory to see unfold. One slight negative is that they give Mater more screen time than Lightning McQueen, which is a mistake. Larry the Cable Guy as Mater is enjoyable, just not front and center as the lead. They could've done a similar plot that has Owen Wilson and McQueen at the forefront. Elsewhere, Michael Caine (Finn) is always a joy to listen to; even if his character isn't anything special. The racing stuff is cool, with the World Grand Prix. The parts of the story involving strictly that are definitely more entertaining than the spy stuff, especially as we get to see a few different countries via animation - which come out nicely. All in all, a weaker film than the first for sure but it's still pretty solid for a Disney animated sequel.
**A film more adult than would be desirable, where Pixar insists on giving the stage to funnyless secondary characters.** The “Cars” franchise was one of the great successes that Pixar masterfully capitalized on, both for commercial purposes and to cement its top status in the field of digital animation. I remember that these three films were accompanied by such incisive (not to say abusive) merchandising that it seemed that the films were being foisted on us. That explains why I preferred not to see them at the time. If the first film seemed quite regular to me (very good from a technical point of view, but with flaws in the script), this sequel managed to at least maintain the technical level and visual quality. The film has excellent cinematography and graphic work, as is the hallmark of the studio. Realism is excellent, although I felt that it is not as impactful and grandiose as in the first film in the franchise. I also felt that the car races, which were the strong suit of the first film due to their emotion and speed, lost much of their emotion here and sounded much more monotonous. The voice actors continue to do a very good job. Owen Wilson and Larry The Cable Guy secure the most notable efforts, but are closely followed by Michael Caine (with an unmistakable voice), Emily Mortimer and John Turturro. Where this film really failed was in the conception of the script and the story. I understand the reason why they decided to make Mater the main character: both Disney and Pixar have done this recurrently whenever a secondary character appears in the films that seem to stand out. And as in other cases, the result of the decision was extremely disappointing. Mater is not funny, more ridiculous than funny, and McQueen, who is in the shadows this time, is just another pretentious, obnoxious, arrogant driver. Dialogues don't always work well, and some jokes don't either, although most do. I also have certain reservations about the division of the film's action into two subplots (Mater's and the rivalry between McQueen and Francesco), I believe that this made the film much more adult than would be desirable.
Not as God as the 1st just slightly though. I do think it's funnier then the 1st one. Diego just bothered the hell out of me for some reason.
You know, I think I preferred this to the original. This time, the eager young "Lightning McQueen" is goaded by Italian champ "Francesco" into taking part in the inaugural "World Grand Prix". This has been set up by reformed oil gazillionaire "Sir Miles" who insists that the cars must use environmentally friendly, oil-free, fuel to compete. Meantime, unbeknown to our shiny red American, the suave and debonaire "Finn McMissile" is doing his best "007" impersonation investigating a network of international espionage that would make "Spectre" look amateur. Together with his assistant "Miss Shiftwell" they soon conclude that their fate is mixed with not just "Lightning" but with poor old "Mater" - who takes pride in every dent he has acquired to his rusting bodywork over his time with his champion friend. There's loads going on, and unlike the first of this series - I found this to be a much more engaging story with a greater international dynamic to it. The Aston Martin and the Citroën, the Ferrari and the tow truck - all reinforcing the messages of team playing and loyalty as the mystery deepens and "Lightning" and "McMissile" have to race to save the trusty old rust-bucket from a fate worse than a magnetic crusher. I enjoyed this, it's quickly paced with some humour in a script that benefits from the understated delivery of Sir Michael Caine and the enthusiasm of Owen Wilson. Good fun!
Plot details are still under wraps, but it will feature a grown-up version of Tick’s 7-year-old son from the original film.
Based on the bestselling book series, this outrageous comedy tells the story of George and Harold, two overly imaginative pranksters who hypnotize their principal into thinking he’s an enthusiastic, yet dimwitted, superhero named Captain Underpants.
An Israeli sports journalist befriends an American basketball pro playing in Israel. Although from very different backgrounds, their love for the game deepens their friendship. Each learns to value the other's culture.
In this rousing sequel to Kickboxer, Tong Po broods about his defeat at the hands of Kurt Sloan. Po and his managers resort to drastic measures to goad Kurt's brother into the ring for a rematch.
Female students, including Hikari Tomonaga, from a high school cheerdance club follow strict instructions from their teacher Kaoruko Saotome. They compete at the USA Cheerdance Championship.
Ollie Dee and Stannie Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil Barnaby. When that fails, they trick Barnaby, enraging him.
Secret agent Napoleon Solo fights to stop a top-secret plot to conquer the world.
Ellen shares her humorous observations on daily life, including remembering names, clothing, the need for approval, and making personal videos in this post-coming-out performance, fully acknowledges Ellen DeGeneres's status as America's most famous lesbian.