Marianne

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Following fateful scientific reports, protestors pose the argument for a better future against the vested interest of industry. Small to large, individual to collective, where do I fit into this?

The series’ latest Harald Vogl feature (from 1984) completes the filmmaker’s gradual movement away from narrative toward a vérité-style essay film. Gone are the post-punk streets of the East Village, replaced with on-the-ground footage of antiwar protests and visitors to the Vietnam Memorial in Washington DC, and observational scenes of union parades, marching bands, street dancers, and Chinatown residents back in Manhattan.

The city of Mahagonny, founded by three criminals, becomes a place for people looking for their luck or money. One among them is the lumberjack Jim Mahoney. However, he is disappointed by what the city is.

Harry Smith’s final film; an epic four-screen projection. Smith worked on this cinematic transformation of Kurt Weill and Bertolt Brecht’s opera Rise and Fall of the City of Mahagonny (1929) for over ten years and considered it his magnum opus. The film was shot from 1970 to 1972 and edited for the next eight years. The “program” of the film is meticulous, with a complex structure and order. The Weill opera is transformed into a numerological and symbolic system. Images in the film are divided into categories— portraits, animation, symbols and nature— to form the palindrome P.A.S.A.N.A.S.A.P. The film contains invaluable cameos of important avant-garde figures such as Allen Ginsberg, Patti Smith, and Jonas Mekas, intercut with installation pieces from Robert Mapplethorpe’s studio, New York City landmarks of the era, and Smith’s visionary animation.

A modern take on a classical tale about the musicians from the town of Bremen.

Dancing is so much fun! But if you have to dance all by yourself it's only half the fun. So the little rhino needs to come up with an idea to make everyone dance with it.

The world’s favorite dirtbike film series returns in 2016 with MOTO 8. Once again bringing the greatest riders in the game to the most epic locations, MOTO 8 gives viewers the most badass visual moto experience ever seen. From the biggest tracks in the world, to going 100+mph through the Australian outback, MOTO 8 continues the progression of filmmaking in the two-wheel world. It’s the roots of motocross, portrayed in the modern era: wide open throttles and massive jumps combined with helicopters and 4K cameras.

When Cole returns to Yang's haunted temple to seek revenge on a former Airjitzu Master, he accidentally uses a powerful Dark Magic blade that unleashes the spectral forms of Ninjago's greatest villains and traps himself in the temple. The Ninja must return the ghosts to the Departed Realm before it's too late.