War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Absolutely loved it - a "small" but great movie, and best proof that you don't need a big budget to keep an audience glued to the screen and at the edge of their seats. It's basically a room, a man and a telephone, and still manages to tell an intense story (and with a twist). Grim, but still has a few fun moments of relief. Fantastic performance by Jakob Cedergren, who also turned out to be a really nice guy (saw it Zurich Film Festival, and there was a Q&A with him). If you have a chance, go see it!
Great stuff, I love films like this. 'The Guilty' is a film that takes place at just one location, something that always has the potential to hinder a film's watchability - but when it's done right, there is nothing more engrossing to watch, and this 2018 flick is just that. I did predict where it was going, but as I always say: predictability in itself is never a negative, for me anyway. I can still appreciate what a film attempts to do and can enjoy seeing the filmmakers pull it off. The whole 90 minutes or so of this is absorbing, it's portrayed superbly throughout - terrific dialogue, editing, sound and, of course, acting. Jakob Cedergren makes for a top quality lead. A brilliant performance! Given how the film is told, the rest of the cast don't have much to work with so it's very much the Cedergren show - but, still, the likes of Jessica Dinnage, Katinka Evers-Jahnsen and Johan Olsen add to the film positively with their more audible contributions. I'm fascinated to see how the American remake went of this. I'm a fan of Jake Gyllenhaal's and I think I have seen an image of him next to a red light, which I presume is in fact a shot out of the 2021 retelling. I'm hoping they did something with it similarly to Gyllenhaal's 2011 film 'Source Code', which I adore, but I shall see at some point in the future, hopefully. As for this, I'd highly recommend it!
In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.
Gold Medal Olympic runner, Travis Downes is forced to confront his actions after steroid allegations surface and his agent sets up a press conference for the next day. As he is locked in a hotel room his actions become more clear and he is forced to make a choice that will forever impact his future.
A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.
Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.
A case of mistaken identity forces a Federal agent and a dental supply salesman to team up as they speed through the streets of Detroit to pull off a sting operation and solve the murder of the agent's former partner.
After twelve years in prison, Walter returns home. His family has abandoned him, save for his brother-in-law. Few know he's a sex offender and pedophile. Walter finds an apartment and is regularly visited by his parole officer. He gets a job at a lumber mill and starts seeing a coworker. Then his new world begins to unravel; as his past becomes known, he strikes up a high-risk friendship with a young girl and realizes that a man loitering near a schoolyard is a child molester prowling for his next victim.
A young man receives an emergency phone call on his cell phone from an older woman. She claims to have been kidnapped – and the kidnappers have targeted her husband and child next.
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan—a young boy—via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.