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Geneva, Switzerland 1935. The first European Basketball Championship is about to take place. Basketball is still an unknown sport in Europe, and the national teams are meeting for the first time. Each wants the honour of being the first champion. Meanwhile in Latvia, coach Baumanis is convinced that he can assemble a team and take it to Geneva. He quickly learns however, that triumph and defeat are also part of the game. Coach Baumanis faces many difficulties, as well as unexpected help from those closest to him.
The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.
Siblings Roby and Raya after the death of their father and being abandoned by their mother, are forced to live with their dominating grandmother in a small country house owned by their family. Things change after the sudden death of their grandmother. The teenagers have to face a tough choice: either to report the accident and submit themselves to a life in an orphanage or hide the dead body and live as if nothing has happened.
Land surveyors arrive in two parishes to measure and redistribute manor land. The rivalry between both feoffees for land and woman begins.
The film dramatizes November 11, 1919- a crucial date in the battle for Latvian independence. A year after the end of the official hostilities of WWI, a renegade German general and troops remain outside the Latvian capital. Latvian riflemen, most of them inexperienced volunteers, somehow managed to defeat a larger, better-armed force of German and Russian mercenaries.
Film takes us deep inside the world of Latvian teenagers in 90s: combining the intimate diary of a teenager Jānis trying to find himself by joining a subculture, as well as a skillful, detailed and almost documentary-like depiction of the beginnings of the second independence of Latvia. “Jelgava ’94” is a portrait of a generation in the 1990s who are searching for their own identity and are fans of alternative culture. This is a touching story about us as youngsters, when everybody is against the whole world and tries not to become “one of them”. But can one keep the promise? The story is based on the best seller by Jānis Joņevs set in the 1994 in the Latvian city of Jelgava.
During World War II three best friends are mobilized into the Waffen-SS Latvian Legion. Years later their fates continue to intertwine, as memories of war loom in back of their minds.
Latvia in the 1920s. The enterprising Edgars Ceplis establishes a company to produce bricks from Latvian clay for export. Many are involved in his project, hoping for the huge profits the venture promises. Ceplis soon becomes infatuated with his office typist Austra Zīle and starts neglecting the business...
A feature shot as a documentary, with minimal interference in the surrounding action. The resulting film is a truthful and innocent portrayal of the era with no imitations or conscious borrowings but with its own avant-garde experiments.
One night, Matiss Zelcs, an employee of the Latvian national archive in Riga, notices a woman on a bridge. After passing by her without preventing her suicidal fall into the depths, a sensation of failure and guilt changes his life. He cannot forget her. Driven by a feeling of remorse and the fever of illusion, he roams through the city night and day looking for traces of her existence. This journey through the tumult of his conscience leads him deeper into his own loneliness and the depths of his soul, as he gets more and more entangled in the destinies of the woman and of the people who were attached to her. He finds himself confronted with the pain of yearning and guilt, the cruelty of love and desire, and the search for forgiveness, release and salvation.
In this film, set in Latvia in the late 19th century, Edgars, the coachman of Alaine Manor, loves Kristine, the washerwoman's daughter, although he is too hot-headed for Kristine's mother to consider him a good suitor for his daughter. The servant Viskrelis and stable boy Sutka try to tempt Edgars to a life of drinking and a relationship with the barmaid Matilde. Meanwhile, Kristine is courted by the rich land owner, Akmentins.