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Okay, so I'm about to totally rail on _Batman Ninja_, but before I do that, I wanted to open it up with the following disclaimer: I thought multiple times throughout watching this "I wonder if this could be the sort of thing that's fun if you watched it in a group setting?". Personally, I watched it by myself, on a bad day, bedridden, feeling very, very unwell. And that's the experience I'm reviewing. Movies don't have to be grounded to be good. They don't have to be be standardised to be good. They don't even have to make sense to be good. Sometimes a movie is just silly fun and everything else is moot. But most of the time, the better a movie is (ie. The more you as the individual viewer are appreciating your experience) the more nonsense you are willing to forgive. It's easier to suspend disbelief, even a great big fat disbelief, if everything else in the movie is working. If not everything is working, but you're only called upon to accept a small amount of ridiculousness, then that will generally fly. But in some movies... In some movies, there is absolutely nothing that is working, and yet those same movies will ask you for the biggest, fattest suspension of disbelief of them all. _Batman Ninja_, is one of **those** movies. I could probably pick any one aspect I disliked about _Batman Ninja_ and write a full length review based on that single issue, but I generally try to keep these things pretty short, so rather than get into the plot, the deviation from source, the character choices, the dubbing, the animation style, the sexism, the science, the lapses in logic, the design choices, the dialogue, the nonsense, the inconsistencies within its own defined setting, the fact I was so bored at one point I literally fell asleep, or any number of the problems I've either blocked out or to list would require spoilers, I'll skip over all of that and simply say: This is the worst Batman movie I've ever seen. _Final rating:★ - Of no value. Avoid at all costs._
**TOTAL CRAP** TLDR The story itself has a lot of potentials. The outcome is in short total crap. Dialogues are childish and silly. I was wondering if I saw a Power Rangers movie. Seems to me a cultural obsession of Japanese people with Robots. Instead of a focus of deep characters, too many figures made it more confusing. There was slightly nothing about Japanese culture in the movie. Somehow it seems that the whole film was produced by 8 year olds. It has to just be a Ninja movie. If you go that road just add zombies, aliens and Godzilla to it. Total trash in short. Good animations don't make up for a silly and childish fantasy.
It's Batman Manga. It's Batman Japanese style and that really doesn't work. Some of the character redesigns are good, the Joker and Two-face look great, but the rest are meh and only really work because of the setting, but are otherwise a little less than inspired. I mean, Nightwing they phoned in, his redesign looks like, well, Nightwing present era. Red Robin also has the bare minimum of effort to change from present era Gotham to ancient Japan. But I guess... Voltron was the reason why it really flopped with me and when the monkeys hit it was just too out there, too manga, too anime, and not batman enough for me. And the thing is, for a character, Batman would lend himself to Japanese comics a lot easier than a lot of other characters, so to watch it fail like this was painful.
Kenichi and his detective uncle, Shunsaku Ban, leave Japan to visit Metropolis, in search of the criminal, Dr. Laughton. However, when they finally find Dr. Laughton, Kenichi and Shunsaku find themselves seperated and plunged into the middle of a larger conspiracy. While Shunsaku searches for his nephew and explanations, Kenichi tries to protect Tima (a mysterious young girl), from Duke Red and his adopted son Rock, both of whom have very different reasons for wanting to find her.
The tyrant Gedren seeks the total power in a world of barbarism. She raids the city Hablac and kills the keeper of a talisman that gives her great power. Red Sonja, sister of the keeper, sets out with her magic sword to overthrow Gedren.
The year 2015 CE. The last era in which magecraft still thrived. The Chaldea Security Organization was founded to focus on preserving the continuation of human history. They observe a world which magecraft couldn't observe and science couldn't measure all to prevent the certain extinction of humanity. But one day, the future that Chaldea continued to observe disappears and humanity's extinction in 2017 becomes clear. Rather, it had already happened. The cause seems to be related to Fuyuki, a provincial town in Japan, in the year 2004 CE. There, an "unobservable region" that had not existed before appears. Based on the assumption that Fuyuki is the reason for humanity's extinction, Chaldea issues an order to explore, investigate, and possibly destroy this singularity – a quest for the Holy Grail, the Grand Order.
Four beautiful rivals at an invitation-only martial-arts tournament join forces against a sinister threat. Princess Kasumi is an aristocratic warrior trained by martial-arts masters. Tina Armstrong is a wrestling superstar. Helena Douglas is an athlete with a tragic past. Christie Allen earns her keep as a thief and an assassin-for-hire.
After a comet disrupts the rain cycle of Earth, the planet has become a desolate, barren desert by the year 2033. With resources scarce, Kesslee, head of the powerful and evil Water & Power Corporation, the de facto government, has taken control of the water supply. Unwilling to cower under Kesslee's tyrannical rule, a pair of outlaws known as Tank Girl and Jet Girl rise up, joining the mysterious rebel Rippers to destroy the corrupt system.
Wart is a young boy who aspires to be a knight's squire. On a hunting trip he falls in on Merlin, a powerful but amnesiac wizard who has plans for him beyond mere squiredom. He starts by trying to give him an education, believing that once one has an education, one can go anywhere. Needless to say, it doesn't quite work out that way.
Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues like reality, free will, our relationships with others, and the meaning of life.
The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.
When undercover FBI agent Frank Castle's wife and son are slaughtered, he becomes 'the Punisher' - a ruthless vigilante willing to go to any length to avenge his family.
Aiming to defeat the Man of Steel, wealthy executive Ross Webster hires bumbling but brilliant Gus Gorman to develop synthetic kryptonite, which yields some unexpected psychological effects. Between rekindling romance with his high school sweetheart and saving himself, Superman must contend with a powerful supercomputer.
The story follows a young genius university professor who is able to learn any language. He is asked to decipher a code used in wireless communication: the Luger Code, developed by werewolves, enemies to mankind. Startled to find that he cannot decipher the code and desperate to study it, the professor embarks on a journey to capture a living werewolf to aid him.