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It's almost like someone forgot to finish writing this film... It starts off well enough, even if the basic premise is a little well worn. Son with a bright future loses his father suddenly, so mother and son have to shift to the middle of nowhere to make ends meet and cope with their grief. The house they shift into belongs to a family member who is trying to sell it, so on weekends it is staged as an open house. Of course as soon as the open house viewings start, strange things start happening. This is where the film starts falling apart. The film-makers can't seem to decide between implying that the occurrences maybe supernatural or someone who came to the viewing but never left. Which is fine to add a little mystery, but the mystery isn't engaging, there is no hook to it. Slightly odd things happen for no real rhyme or reason. You keep expecting there to be a nugget of information as to why they are being targeted, but you get nothing. When the film finally decides to settle on the menacing slasher route and stick to it, the wheels completely fall off, and this film starts crashing hard. The film spends 3/4 of its running time raising questions and answers none of them, but not in an ambiguous way, just in a sloppy writing way. There's no explanation, no reason why, no back-story, and the killer is constantly blurred, out of focus or in shadow so you never see what he looks like. Those elements can work, classic films like Duel you never see the psycho truck driver, but at least he has motivation. In Halloween you never know why Michael Myers goes on a rampage but you get a physical sense of what he looks like, even if you don't really get a good look at his face. But combining no back-story stalking, with a complete lack of motivation and no decent look at the killer just doesn't work. You don't care what is happening because there is no reason for it, and not much to look at while it happens. The protagonists might as well be getting attacked by a shadow. There is nothing scary or interesting about the killer, because the killer really is nothing apart from a pair of boots. There is absolutely nothing under the surface with this film. There is no metaphor, there is nothing to learn, no twist, no insight to grief, no character revelations. Just retreaded clichés poorly packaged to give you a boring and pointless final product. Avoid this film, it is a waste of your time
Avoid this movie at all costs! This movie had potential. It started off interesting and I thought it was going somewhere, but in the end it just angered me like no movie in recent memory has. I think the they had no idea where they were going with the story so it just seems like lots of unnecessary bits of plot were added in an attempt to make something "stick". You get nothing in the end aside some a feeling of "I just wasted almost 2 hours of my life!".
Sometimes a mystery can be what makes a movie. Sometimes, it feels like flagrant laziness. _The Open House_ is the latter. The acting is fine, and the characters constantly and blatantly saying things like "Isn't it crazy how there could be a person hiding in your house right now?" might get in your head some, but _The Open House_ is a far cry from any sort of actual success. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
A psychiatrist faces his past, present and future when he finds himself involved in the treatment of a young man recently released from prison for a murder committed when the boy was just 11 years old.
Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.
A census-taker is sent to investigate why a certain small town has had the same population - 436 residents - for the last 100 years.
A teenage girl with self-esteem issues finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.
Photographers Brooke Konrad and Tanner Behlman travel to rural, abandoned buildings to capture the inherent beauty of long-forgotten locations, but far from forgotten are the traumatic memories that surface in Brooke when they meet The Man Upstairs, an unsuspecting squatter. As tensions and uncertainties arise, Brooke must determine if this mysterious stranger will provide her the closure she so desperately seeks or let the fears of the past consume her.
Thriller about three friends who work in an advertising agency, one of whom has a nervous breakdown. Upon her recovery, she embarks upon an affair with her former employer's husband, with deadly consequences.
Just when you thought it was safe to sleep, Freddy Krueger returns in this sixth installment of the Nightmare on Elm Street films, as psychologist Maggie Burroughs, tormented by recurring nightmares, meets a patient with the same horrific dreams. Their quest for answers leads to a certain house on Elm Street - where the nightmares become reality.
Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.
After running into something with her car, Vero experiences a particular psychological state. She realizes she might have killed someone.
After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.