Ερωτικές Ιστορίες

Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

After the sudden death of her pregnant partner, a closeted attorney must embrace her sexuality and humanity, as she seeks custody of their newborn.

In 1990 Chicago, a taxi driver recounts to his passenger, a sportswriter, his life story. He reveals himself to be Nat "Sweetwater" Clifton, one of the first African Americans to play in the NBA.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

A young and excentric radio DJ airs a successful program in which diverse calls come in from anonymous listeners, who reveal their love stories, all charged with mix-ups, disputes and passion.

The "Flea" is a handwritten little newspaper written, edited and published by Ilias, a determined twelve year-old schoolboy who lives in a remote village in the mountains near ancient Olympia. His efforts go largely unappreciated by his elders, who tease him and nickname him "The Flea", and his concerned parents are convinced his preoccupation with his newspaper will distract him from more serious studies and forbid him to continue it. Ilias' only allies are a quixotic eccentric and a sensitive schoolgirl. The villagers' scoffing at Ilias' ambitions changes to admiration when an Athenian journalist shows up to do a story on Ilias. He becomes disheartened, however when he realizes much of their enthusiasm stems from hopes for increased tourism spurred by his fame and he distrusts the journalist's motives as well.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

After 11-year-old Petros loses his father in a car accident in Melbourne, Australia, his mother decides to move the family to her homeland, Greece. Petros has been planning to run away from home ever since the big move. After persuading his classmate, Adonis, to join him, the two boys decide to make the journey to Australia together. Their parents look for the children all over Greece to no avail. The only one who knows the boys' whereabouts is their best friend, whom nobody believes. Petros and Adonis' pictures are published all over the press, but no one comes forward with any information. Meanwhile, the boys continue on their journey...

An aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell raising hero, Dylan Thomas.