Beethoven: The Complete Piano Sonatas

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

At the peak of his career, Ivo Pogorelich was filmed at Racconigi Castle in Italy playing four major works by Chopin as well as sonatas by Haydn an dMozart. Director Horant H. Hohlfeld captures the pianist's virtuosity in revealing close-ups. The program includes: CHOPIN Polonaise in c op40/2; Nocturne in E♭ op55/2; Prelude in c♯ op45; Sonata in b op58 // HAYDN Sonata in A♭ H16.46 // MOZART Sonata in A K331 "alla turca".

Pianist Ivo Pogorelich in a 1987 studio recital of works by Bach, Scarlatti, and Beethoven, recorded at historical palaces of Veneto Villa Caldogno in Vincenza and Eckartsau Castle in Lower Austria. The program consists of: BACH English Suites ##2,3 // SCARLATTI Sonatas K487 in C, K20 in E, K98 in e, K450 in g, K1 in d, K159 in C // BEETHOVEN Sonata #11 in B♭ op22; Bagatelle "für Elise".

A washed-up '80s pop star gets a chance at a comeback when reigning pop diva Cora Corman invites him to write & record a duet with her, but there's a problem-Alex hasn't written a song in years; he's never written lyrics and he has to come up with a hit in a matter of days.

After more than 60 years, the uncrowned king of 20th century pianists returned to his freedom-torn homeland to perform his swan song in a piano recital. In the mid-1980s, a breathtaking concert took place in Moscow that many still recall with emotion. The great Ukrainian-American pianist Vladimir Horowitz performed there for the first time in more than half a century. At that time, the border between East and West was impassable. The Cold War was in full swing. The two superpowers, the US and the Soviet Union, considered each other enemies. The race to produce atomic weapons threatened everyone's lives. The legendary pianist Vladimir Horowitz, then eighty-two years old, began one evening discussing with his concert agent Peter Gelb what he dreamed and wished for. One of the things was to look back to Russia.

Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.

Arthur Rubinstein's 1964 recital in the Great Hall of the Moscow Conservatory, filmed and recorded by Soviet television and preserved in its archives, in a program of work of Chopin and — in encores introduced from the stage by Rubinstein — Schumann, Chopin, Debussy, and Villa-Lobos.

To play Beethoven's music is to give oneself over completely to the child-spirit which lived in that grim, awkward, violent man. Without that utter submission it is impossible to play the Adagio of the Ninth. Or, Heaven knows, the first movement. And the Finale? Most of all! It is simply unplayable unless we go all the way with him, as he cries out "Brüder!" - Leonard Bernstein