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YouthMin is a mockumentary, but not a very good one; after all, it’s impossible to parody or satirize a subject which one does not know. The protagonist, Pastor David Bauer (Jeff Ryan), is the ultra-competitive director of the titular youth ministry; according to him, “turning the other cheek” is overrated – “what if David had turned the other cheek to Goliath”? Or if Daniel had turned the other cheek to the lions? Since David and Daniel, either as real people or fictional characters, predate Jesus, it’s likely that neither ever even entertained that possibility. But maybe that's the joke – a pastor who can't tell the Old Testament from the New; if it is, it’s not funny – unless you find incompetence funny, and you shouldn’t. To put it in perspective, the stars of This is Spinal Tap are a trio of buffoons, but like the actors who play them, they are expert musicians as well. In other words, they are idiots savants, whereas YouthMin’s characters fall exclusively into the first category. Consider a scene where Pastor David gives a brief talk on sexual purity, using a bottle of water as a metaphor; it’s all quite innocent, and in fact the only part of the film that feels authentic (one can imagine a real-life pastor giving a similar speech). But at the end of the lesson, one young man stands up, and he has an erection in his shorts. What the hell? This is never explained – not that there could be a reasonable explanation for it –; it’s just there. Bodily functions aren’t any inherently funnier than ineptitude (if you must do something along these lines, why not have clueless Pastor Dave inadvertently tell a non-PC anecdote to illustrate his point about sexual behavior?). Alas, YouthMin is just as inept behind the camera as in front of it. As I hinted above, the film is shot in a documentary style, but we never have the slightest indication of who is making this documentary, or for what purpose. Several scenes take place in a van, inside of which we see shots from various angles. This would mean that several cameramen travel inside the vehicle apart from the eight passengers – or just one constantly changing positions, which would be equally uncomfortable (not to mention an editing nightmare). What really got my attention, though, is the scene where David catches Thomas (Luke Deardorff) in a compromising position with Steven (Carl Schultz); the pastor immediately assumes, not only that the former is orally pleasuring the latter, but also that Thomas – but not Steven – is homosexual. I find it interesting that David considers the person giving oral sex to be gay, but not the person receiving it. Unfortunately, the movie doesn't care that its protagonist makes this distinction, and I'm not even sure it's aware that he does. All things considered, YouthMin is a gross misfire.
It's super low budget but this film hit so close to home. I grew up going to youth group and bible camp and looking back it was kind of hilarious how it all turned out. Youthmin nails that aspect with a surprising amount of heart.
In a post-apocalyptic future, a wheat farmer embarks upon a journey and encounters a variety of unusual characters, while traveling across the land.
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?
Looking for a baby-sitter for the night, Marc Schaudel entrusts his son Remy to the care of his employee Franck, a straight man. But the thing that Marc doesn't know, is that Franck is getting 30 years old this weekend and that his son Remy is a very capricious child. The next day, Marc and his wife Claire are awakened by a call from the police. Remy and Franck are missing, and the house is totally devastated. The police finds a camera in the leftovers. Marc, Claire and the police start watching the video that has been recorded the day before during the night and find out what happened to Franck and Remy.
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
Bruce Nolan toils as a "human interest" television reporter in Buffalo, NY, but despite his high ratings and the love of his beautiful girlfriend, Bruce remains unfulfilled. At the end of the worst day in his life, he angrily ridicules God — and the Almighty responds, endowing Bruce with all of His divine powers.
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.
An Honest and hilarious look at the music industry through the eyes of an all girl rock band.
The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.
How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.
The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo, all the while deconstructing the conventions and archetypes of the horror genre for them.