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I'm not a gangster, just a businessman. And my commodity happens to be cocaine. With a considerable amount of cash saved from his, ahem, dealings. A London drug dealer is all set to retire abroad and start a new life. However his mob boss Jimmy Price has two jobs for him to do immediately... Layer Cake is directed by Matthew Vaughn. Vaughn is more well known as Guy Ritchie's producer on his early British gangster genre forays. Suffice to say he had some insight into what made those films {Snatch et al} hugely popular with the watching British public. How pleasing it is then to say that Vaughn, by showing restraint and an unfussy approach, has crafted a film that's more than equal to the best of Britain gangster faves, and actually sets new parameters for toning a film. By focusing more on mood and atmosphere over bombastic scenarios, Vaughn, aided by a superlative Daniel Craig as the nameless dealer, lifts the film above its conventional plot arc. In what could have been a standard tale of a man doing one last job before going straight, we, along with Craig, find that all roads are blocked, it's as if there is some higher force at work here. Layer Cake also scores high for its more easy on the eye filming of London, this is no destitute capital where tower blocks loom like monsters over the characters. This London is thriving, vim and vitality, the place to be, seediness is far from the ebullient crowd. Ben Davis' photography perfectly complimenting the engrossing score from Lisa Gerrard & Ilan Eshkeri, both of which serve to make London an extra character in the story. The film however is not perfect, at 105 minutes it's actually too short, something that only becomes apparent when all the plot strands come crashing together in a rushed last quarter. Yet in spite of that failing, the ending delivers a jolt to the system, to crown, what to me at least, is one of Britain's finest and tidiest gangster offerings. 9/10
Absolutely tremendous! I haven't got much (edit: five paragraphs later...) to say about 'Layer Cake', but that's only because it's simply one of those movies that is undeniably outstanding, to the point it's plain and simple that it requires little explanation. I had heard this bandied about down the years as being arguably Daniel Craig's best, though that is all that I knew about it. What a film! I knew it was one of my favourites because I got goosebumps as soon as the credits rolled as I processed it and that only happens for the movies I adore. Going back to Craig, that man is superb in this, definitely one of the best performances of his that I've seen - up there with 'Knives Out'. That's also saying something, given his other stellar stint as that spy geezer. Michael Gambon is, though, the one I enjoyed most. I'm already a big fan of his, though here he is also a notch above; his voice is up is just so iconic. Away from Craig & Gambon, I lost track of all the known faces that appeared *insert Rick Dalton meme here*. Crazy to see Tom Hardy in this and that he's used the least of his whole crew! I also didn't even recognise Sally Hawkins, despite seeing her name in the opening credits! Simply put: It's brilliantly entertaining! I loved every second, quite literally. It gave me exactly what I wanted from a British gangster flick, so many from this subgenre fail to correctly tow the line between the crime and comedic gangster elements so it can either be cringe or boring, or even both. This, however, utterly nailed it for me. It also holds a pleasing score, you give me that, an entertaining plot and a fantastic cast then, I'm afraid, I am gonna love your movie. It does surpass (the great) 'Stardust' as my standout Matthew Vaughn flick.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
In the middle of the Los Angeles ghetto, drugs, robberies and shootings dominate everyday life. During these times, Furious tries to raise his son Tre to be a decent person. Tre's friends, on the other hand, have little regard for the law and drag the entire neighborhood into a street war...
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox - and obliterate the world's economy.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.