A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
The Way Home - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
**A different version of the usual story. Maybe less memorable, but different.** Louisa May Alcott's classic novel has received several film and TV adaptations over the decades. Some are more significant than others, and this is definitely one of the smallest, but perhaps the most creative I've seen, opting to give us an updated, refreshed version of the story as always. At a time when literary classics are treated as “sacred cows” by cinema purists (at the same time that, paradoxically, “politically correct” versions of the books are presented, without the expressions and words that the authors wrote, but which we don't like it), it's innovative and courageous to do something different, even if it's a weaker work. Like many people who do not speak English as their native language, I have never read the original book, nor found a well-written Portuguese translation, respectful of the original source. So, I'll stick to the film. It's quite good at giving us an airy version of the story we've already seen, and it's certainly a labor of love for everyone involved. Certain things worked well, others were not believable (particularly the imaginative play of the sisters, who spend time playing games that are very childish for their age), but the essentials – the unity between sisters and the way they face different difficulties – remain untouched. Directed by Clare Niederpruem, the film is not exceptional and has a TV flavor, as if it had been designed for a direct-to-DVD version or for the television market, not for the big screen. However, it gives us decent cinematography and regular production values, considering it didn't have the biggest budget. The dialogues are well written, and the film does not waste too much time on irrelevant things, even though the levels of sugary melodrama are high and make the film a somewhat sweet experience, which will not please everyone. The ending is anti-climactic. In addition to the opportunity to see a different version of the story, the film seriously relies on a very female cast, with much more commitment and energy than skill. The sisters are assured by Sarah Davenport, Melanie Stone, Allie Jennings and Taylor Murphy. They are all promising young people who have much more desire and energy than talent, they are still learning the dramatic art. There are still a few other actors around here who will make some high marks, namely Lea Thompson and Michael Flynn, but it's safe to say that each of them is trying to take advantage of the opportunity to improve as much as possible in their art and skill, and that this film will not be the masterpiece of anyone involved.
Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.
Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.
Mr. Park raises his children by repairing charcoal pits. Although ignorant and stubborn, Mr. Park has a good heart. He is displeased, however, with his eldest daughter, Yong-sun (Jo Mi-ryeong), because of her close relationship with Jae-cheon (Hwang hae), who is a scamp in his eyes. He is also unsatisfied with his second daughter, Myeong-sun (Eom Aeng-ran), for liking Ju-sik (Bang Su-il). Only his eldest son, Yong-beom (Kim Jin-gyu), is the apple of his eye, as he approves of his son's wife, Jeom-rye (Kim Hye-jeong). When Yong-beom is sent to a foreign branch office, Mr. Park is against it at first but approves of it, as he knows what it means for his son's future. Eventually, too, he begins to approve of his two daughters' relationships.
After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.
A constant runaway is given over to the care of the state and finds herself in a remand centre for girls. She is soon caught between the uncaring bureaucracy, the sometimes brutal treatment from her peers and her own abusive family, and only one care worker sees her potential to rise above her tragic circumstances.
A man awakwens after sleeping for 20 years to find that his small local town has changed for the worse.
Nava tries to convince her sister to get back with her husband, while her own fiance is cheating on her.
Anteojito and Antifaz live in an apartment house in Villa Trompeta, a fantasy city with funny animals, dancing vegetables, and Uncle Antifaz’s enemy, Cachavacha the witch, living with Pajarraco her owl, in the apartment right under his. Uncle Antifaz tries to invent an invisibility formula with Anteojito’s help, and Cachavacha tries to steal it.
Kjetil, an offshore worker, is left with his six-year-old adopted son after his wife dies. To find out more about the boy's background Kjetil decides to bring the boy back to Colombia.
In WOODSMAN, young couple Alan and Lottie make do with what they've got: each other. After an accident has left Lottie bedridden and nonverbal, the two of them must find new methods to communicate, all while something enigmatic calls out to Alan from the other side of the nearby lake.