Aiden 2024 - Movies (Nov 30th)
A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
Music Box Yacht Rock A DOCKumentary 2024 - Movies (Nov 30th)
Joker Folie à Deux 2024 - Movies (Nov 30th)
The Rev 2023 - Movies (Nov 30th)
Malum 2023 - Movies (Nov 30th)
Home Kills 2023 - Movies (Nov 30th)
Deck the Walls 2024 - Movies (Nov 30th)
A 90s Christmas 2024 - Movies (Nov 30th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Secret Lives of Orangutans 2024 - Movies (Nov 29th)
Christmas Wreaths and Ribbons 2024 - Movies (Nov 29th)
Defoe 2024 - Movies (Nov 29th)
Porch Pirates 2024 - Movies (Nov 29th)
Landman - (Dec 1st)
Earth Abides - (Dec 1st)
Made In Mumbles - (Dec 1st)
Im a Celebrity... Unpacked - (Dec 1st)
Michael McIntyres The Wheel - (Dec 1st)
Match of the Day - (Nov 30th)
Legends of Comedy with Lenny Henry - (Nov 30th)
Strictly Come Dancing- It Takes Two - (Nov 30th)
The Chase - (Nov 30th)
A Bite to Eat with Alice - (Nov 30th)
Alex Witt Reports - (Nov 30th)
Lucky - (Nov 30th)
WWE NXT- Level Up - (Nov 30th)
The Late Late Show - (Nov 30th)
Motorway- Hell On The Highway - (Nov 30th)
A History Of Royal Scandals - (Nov 30th)
Football Focus - (Nov 30th)
Saturday Kitchen Live - (Nov 30th)
Gutfeld - (Nov 30th)
Hannity - (Nov 30th)
**A different version of the usual story. Maybe less memorable, but different.** Louisa May Alcott's classic novel has received several film and TV adaptations over the decades. Some are more significant than others, and this is definitely one of the smallest, but perhaps the most creative I've seen, opting to give us an updated, refreshed version of the story as always. At a time when literary classics are treated as “sacred cows” by cinema purists (at the same time that, paradoxically, “politically correct” versions of the books are presented, without the expressions and words that the authors wrote, but which we don't like it), it's innovative and courageous to do something different, even if it's a weaker work. Like many people who do not speak English as their native language, I have never read the original book, nor found a well-written Portuguese translation, respectful of the original source. So, I'll stick to the film. It's quite good at giving us an airy version of the story we've already seen, and it's certainly a labor of love for everyone involved. Certain things worked well, others were not believable (particularly the imaginative play of the sisters, who spend time playing games that are very childish for their age), but the essentials – the unity between sisters and the way they face different difficulties – remain untouched. Directed by Clare Niederpruem, the film is not exceptional and has a TV flavor, as if it had been designed for a direct-to-DVD version or for the television market, not for the big screen. However, it gives us decent cinematography and regular production values, considering it didn't have the biggest budget. The dialogues are well written, and the film does not waste too much time on irrelevant things, even though the levels of sugary melodrama are high and make the film a somewhat sweet experience, which will not please everyone. The ending is anti-climactic. In addition to the opportunity to see a different version of the story, the film seriously relies on a very female cast, with much more commitment and energy than skill. The sisters are assured by Sarah Davenport, Melanie Stone, Allie Jennings and Taylor Murphy. They are all promising young people who have much more desire and energy than talent, they are still learning the dramatic art. There are still a few other actors around here who will make some high marks, namely Lea Thompson and Michael Flynn, but it's safe to say that each of them is trying to take advantage of the opportunity to improve as much as possible in their art and skill, and that this film will not be the masterpiece of anyone involved.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Don Collier has a wonderful life and family, but no time to enjoy either. His impossible boss even has him collecting signatures for a huge project the day before Christmas, but as he goes office to office it seems that every signer is a ghost from his past, and he soon begins to wonder if this is coincidence... or heavenly intervention.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
Mitsuomi Kozuka quits his job due to his boss. He decides to return to his hometown for the first time in 10 years. The town is located in the countryside. There, Mitsuomi Kozuka meets Yamato Kumai. Yamato Kumai is the stepson of old man Kumai. The old man runs a farm near the home of Mitsuomi Kozuka's parents.
Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.
A married couple stages their divorce in order to encourage their estranged adult children to return to their hometown.
Years before she saw a man being swallowed by a wave, inside a swimming pool. With this event, time ceased to be linear, and in a split second her family disappeared, leaving only behind the traces of their presence. Through the window´s reflex she realises her face has changed - the face is longer and the hair; she has memories inside her head, that she doesn´t recognize. In another time, she returns to that place to try to confirm her memory.
When their father passes away, four grown, world-weary siblings return to their childhood home and are requested - with an admonition - to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.
“I never got to feel the warmth of a loving family.” That is what Seishiro notes down in 1948, who was adopted as a child by the idealistic Eichiro. In 1980, Izumi works at a bank and she lives with her mother Ito. Twenty-two years later, in the evening on a winter night and the day before Izumi is to marry, her mother tells Izumi about her late father's dream, Seishiro. Her father's dream was of Izumi's marriage. Izumi reminisces about her loving father. What happened in the meantime? In reversed chronological order this movie tells a story about a man who had much to give and what he got in return.
The story of August Pullman – a boy with facial differences – who enters fifth grade, attending a mainstream elementary school for the first time.
The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.