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**A different version of the usual story. Maybe less memorable, but different.** Louisa May Alcott's classic novel has received several film and TV adaptations over the decades. Some are more significant than others, and this is definitely one of the smallest, but perhaps the most creative I've seen, opting to give us an updated, refreshed version of the story as always. At a time when literary classics are treated as “sacred cows” by cinema purists (at the same time that, paradoxically, “politically correct” versions of the books are presented, without the expressions and words that the authors wrote, but which we don't like it), it's innovative and courageous to do something different, even if it's a weaker work. Like many people who do not speak English as their native language, I have never read the original book, nor found a well-written Portuguese translation, respectful of the original source. So, I'll stick to the film. It's quite good at giving us an airy version of the story we've already seen, and it's certainly a labor of love for everyone involved. Certain things worked well, others were not believable (particularly the imaginative play of the sisters, who spend time playing games that are very childish for their age), but the essentials – the unity between sisters and the way they face different difficulties – remain untouched. Directed by Clare Niederpruem, the film is not exceptional and has a TV flavor, as if it had been designed for a direct-to-DVD version or for the television market, not for the big screen. However, it gives us decent cinematography and regular production values, considering it didn't have the biggest budget. The dialogues are well written, and the film does not waste too much time on irrelevant things, even though the levels of sugary melodrama are high and make the film a somewhat sweet experience, which will not please everyone. The ending is anti-climactic. In addition to the opportunity to see a different version of the story, the film seriously relies on a very female cast, with much more commitment and energy than skill. The sisters are assured by Sarah Davenport, Melanie Stone, Allie Jennings and Taylor Murphy. They are all promising young people who have much more desire and energy than talent, they are still learning the dramatic art. There are still a few other actors around here who will make some high marks, namely Lea Thompson and Michael Flynn, but it's safe to say that each of them is trying to take advantage of the opportunity to improve as much as possible in their art and skill, and that this film will not be the masterpiece of anyone involved.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
In a vibrant tapestry of love and longing, nine interconnected souls navigate romance and heartbreak in L.A., where passions collide and truths unfold, revealing that the heart's desires often lead us where we least expect.
During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Familiar Phantoms is an experimental documentary short film about memory, history and trauma.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
After the death of a septuagenarian woman, her three children deliberate over what to do with her estate.
Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.
A gay couple faces personal challenges and society's expectations when their adopted son starts grade school and notices his family's unique dynamic.