La Mécanique de l'ombre

Taking a break from their dreary lives, close friends Thelma and Louise embark on a short weekend trip that ends in unforeseen incriminating circumstances. As fugitives, both women rediscover the strength of their bond and their newfound resilience.

For Pablo Escobar family is everything. When young surfer Nick falls for Escobar's niece, Maria, he finds his life on the line when he's pulled into the dangerous world of the family business.

On a particularly busy day at a suburban Ohio fast food restaurant, manager Sandra receives a phone call from a police officer saying that an employee has stolen money from a customer.

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

Eight-grader Petya Kopeikin, despite his short stature and nondescript appearance, is constantly in the spotlight. Petya is noble, witty, well versed in literature, he writes wonderful poems. Kopeikin has long been secretly in love with his classmate Masha Goroshkina, and she is passionate about the new student from 9 "A" Kolya Kristallov. Masha tells Petya about her feelings and asks him to hand over a note to Kolya. Deeply worried from unrequited love, Petya not only doesn't stand in the way of a happier rival, but even helps him win Masha's heart. He wants to prove that courage and honor were not only inherent in the times of “musketeer” novels, but exist in our time. Petya chooses to follow the example of the hero of the famous play Edmond Rostan and in his actions copies Cyrano de Bergerac.

They're the real 'goodfellas': 'Joe Dogs' Iannuzzi, Tommy DelGiorno, 'Big Dom' Lofaro. For the first time on television, Mafia turncoats give personal accounts of life inside the Mob. In this shocking documentary, five high-ranking informants tell tales of murder, brutality, greed and vanity-and why they broke the Sicilian code of honor. The first generation of the American Mafia stood on the foundation of loyalty and a code of silence. The second and third generations traded their Sicilian traditions for government protection and instant personal gain. MOB STORIES presents five chilling narratives from five members of the underworld, most of whom are overwhelmed with fear and paranoia with the exception of “Fat Jackie”, a loyal lifelong mobster. Father and son team, Alan and Marc Levin, direct and produce an honest and personal portrayal of the demise of the Mafia.

After a brief flash-forward to Frank Sinatra as an old man, saying "I miss my guys," the movie's main narrative begins during high points in the solo careers of the Rat Pack: Dean Martin has become a big success despite the breakup of his partnership with Jerry Lewis; Sinatra's career is at its peak; Sammy Davis, Jr., is making a comeback after a near fatal car crash, and standup comic Joey Bishop is gaining exposure as an opening act for the other three. The Pack becomes complete when Sinatra reconciles with actor Peter Lawford, who has been ostracized since being seen out publicly with Sinatra's ex-wife, Ava Gardner.

A cash-strapped electrical engineer with a criminal past vows to go straight when he marries his longtime girlfriend, but he has second thoughts when the mob offers big money for his wiretapping services.

A young Donald Trump, eager to make his name as a hungry scion of a wealthy family in 1970s New York, comes under the spell of Roy Cohn, the cutthroat attorney who would help create the Donald Trump we know today. Cohn sees in Trump the perfect protégé—someone with raw ambition, a hunger for success, and a willingness to do whatever it takes to win.

Several lost-soul night-owls, including a nightclub owner, a talk radio relationship counselor, and an itinerant stranger have encounters that expose their contradictions and anxieties about love and acceptance.

They’ve become the human face of inhuman barbarity. Leaders like Hitler, Idi Amin Dada, Stalin, Kim Jong Il, Saddam Hussein, Nicolae Ceausescu, Bokassa, Muammar Kadhafi, Khomeini, Mussolini and Franco governed their countries completely cut off from reality. These paranoid leaders were driven to abuse their power by the pathology of power itself. Dictators are driven by a relentless, thought-out determination to impose themselves as infallible, all-knowing and all-powerful beings. But they are also men ruled by their caprices, uncontrollable impulses, and reckless fits of frenzy, which paradoxically render them as human as anyone else. The abuses they committed were clearly atrocious, yet some of them were as outlandish as the characters portrayed in the film The Dictator. They sunk to depths worthy of Kafka: so incredibly absurd, they are outrageously funny.