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If you enjoy reading my Spoiler-Free reviews, please follow my blog :) It’s not as bad as The Nun, let me write this straight away. If there’s one thing that this movie proves is Michael Chavestalented filmmaking skills, which offers hope for The Conjuring 3. Contrary to the other spin-off of the universe, The Curse of La Llorona toned down on the lazy exposition and elevated its scary sequences, simply by having a more capable director. Beautiful one-take scenes are spread throughout the runtime, which not only increase the suspense but prove that Chaves actually works hard to provide a terrifying environment. He also delivers some effective and innovative jump scares, even though most of them still follow an annoyingly predictable timing. These are still heavy on the cliche of “character turning her head, big ugly monster face screams and the score goes from silence to screeching volume.” Scenes like these aren’t scary anymore and they feel dated, as well as the typical origin story. There’s nothing new or exciting in an “urban legend turned true.” Fortunately, the backstory is simple, it isn’t filled with explicit exposition every two minutes, and the short runtime helps the film to develop through a fast pacing. Sadly, it’s just another common horror screenplay that the writers took from the scripts cabinet. Linda Cardellini gives a strong performance as the protagonist. Even though every character in this movie makes questionable decisions that lead to avoidable events (something inevitable in horror films), Anna is a compelling and courageous woman, who only wants to do what’s best for any children, not only their own. Raymond Cruz portrays Rafael, a priest who sort of almost is a deus ex machina. He barely has any kind of decent character development, but he works well enough as comic relief to lighten up an otherwise too dark tone. The kids are good, but Patricia Velasquez (Patricia Alvarez) is way over-the-top, which doesn’t help her already not-so-good script. All in all, The Curse of La Llorona is … okay. It’s not near as horrible as The Nun, and honestly, that’s a good compliment for such a typical and cliche horror flick. Michael Chaves truly saves what could have been a disaster with another director. Wonderfully handled one-take sequences, which elevate the suspense levels, and he also produced some imaginative jump scares, even if most of them still lack actual scariness. Linda Cardellini is great as the lead, but every character is compelled to make dumb decisions to move the plot forward. Some characters needed more care in their scripts, and more focus on the story to tell instead of just creating scares after scares. Close, but not close enough … Rating: C+
Where I'm from, this was marketed as _The Curse of the Weeping Woman_ 'cause I guess Australia can't be trusted with to pronounce a Spanish word. Similarly, I guess Warner Bros. can't be trusted to make a horror movie without cramming it into the bloated _Conjuring_ franchise. I love seeing Linda Cardellini get work, but I don't know that a La Llorona movie was the best choice to put her in lead of, and I do know that **this** La Llorona movie was a bad choice, just like... Generally speaking. "Bad" might be too far. Bland? Old hat? Something along those lines might be a label that fits a little better. Definitely not the label "good" though. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Acting was fine but the rest was one big cliche of the supernatural-horror genre with too many jump scares and the evil entity pretty much reminded me of the Nun, which makes sense since this is set in the Conjuring Universe.
'The Curse of La Llorona' entertained me! First and foremost, the La Llorona demon is exactly what I wanted 'The Nun' to be - creepy without words, a perfect mix. The filmmakers utilise the character nicely, as well as importantly setting the right tone. Not to quote Gloria Stuart, but it feels like forever since I've enjoyed a movie from this franchise - and this isn't even an 'official' part of 'The Conjuring' universe (which probably explains why it's actually good - harsh, yet true). That's not to say it's amazingly made, e.g. there is some iffy writing; that part near the end with the doll is rather dumb, if ignorable. Linda Cardellini brings a very good performance, while Raymond Cruz is a neat piece of casting. Roman Christou and Jaynee-Lynne Kinchen make for solid kid actors, too. Tony Amendola appears as Father Perez, but remember it's absolutely not a part of the franchise... The bad reception that this has got is a shame, not that it changes the way I see it. A perfect example of why it's good to form your own opinions with film, because apparently 'The Conjuring 2' is good but this is bad - the opposite is true for me. Me and this franchise don't click correctly, evidently.
Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.
Lorraine and Ed Warren travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.
In 2029, after a race of microscopic parasites is unleashed, the human race faces an extinction level event... 80% of the world is in a coma. The remaining 20% cannot fall asleep. Convicted murderer Danny Gediman has been selected by an enigmatic pharmaceutical corporation to take part in a drug trial that may return sleep to the world...
The Freeling family move in with Diane's mother in an effort to escape the trauma and aftermath of Carol Anne's abduction by the Beast. But the Beast is not to be put off so easily and appears in a ghostly apparition as the Reverend Kane, a religeous zealot responsible for the deaths of his many followers. His goal is simple - he wants the angelic Carol Anne.
Just when you thought it was safe to sleep, Freddy Krueger returns in this sixth installment of the Nightmare on Elm Street films, as psychologist Maggie Burroughs, tormented by recurring nightmares, meets a patient with the same horrific dreams. Their quest for answers leads to a certain house on Elm Street - where the nightmares become reality.
In the place between what you know, and what you fear, demons rule. All hope is stripped away as demonic forces overcome you. Dr. Harry Ballard has just unearthed the essence of evil. He’s a marked man, a living sacrifice, thrown to the depths of the demon world. At his side is a beautiful young woman – an ex-cult member who’s experienced their immeasurable power.
A writer secludes himself in the mountains and falls in lust with local Berta. After realizing the oddities of the rural community the author starts to question the lines between reality and fiction.
Nakrob, a young real estate swindler, discovers an abandoned hillside hotel by the beach. Seeing an opportunity, he decides to turn it into a luxury hotel scam.
Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.
Growing up, siblings Sedat and Kahder live a happy life with their childhood friend Orhan. The trio's kinship is further strengthened by the union of Orhan and Kahder in a holy matrimony. However, when the siblings are involved in a fateful accident, Orhan's faith is put to the test in his desperate attempt to save his sanity by making a deal with the devil, all in the name of love.