Bolshoi Ballet: Don Quixote

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

Darcey Bussell and Roberto Bolle star in Frederick Ashton's Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. With origins in Greek mythology, Sylvia was loved by Aminta, abducted by Orion and eventually rescued by Eros. Recorded live at the Royal Opera House, Covent Garden on 1st and 5th December 2005.

Armand Duval finds himself at the auction of the famous courtesan Marguerite Gautier’s possessions after she passed away. She was Armand’s true love, and the vision of her belongings awakens vivid memories of their turbulent love story. Choreographer John Neumeier adapts Alexandre Dumas fils’s timeless novel The Lady of the Camellias for the stage with great sensitivity and emotional depth in his work of rare beauty. As the troubled courtesan Marguerite, superstar prima Svetlana Zakharova and Hamburg Ballet’s guest star Edvin Revazov as Armand bring the passionate drama to new emotional heights accompanied by Chopin’s fantastic score. Captured live in Moscow on December 6, 2015, for the Bolshoi Ballet's 2015/2016 cinema season. Encore screenings of this recording were released during the 2017/2018 and 2020/2021 cinema seasons.

This interpretation of Coppélia is set in a cybernetic laboratory specialised in artificial intelligence, where Doctor Coppélius is attempting to create a female android that moves and acts like a human. Against a backdrop of futuristic sets the Víctor Ullate Ballet clothes this classic in a new, bouncy and colourful fairytale wardrobe. Recorded live at the Opera Royal du Chateau de Versailles, 2013.

A film adaptation of the Ludwig Minkus ballet, completely re-orchestrated and with additional music by John Lanchbery.

A 1975 recording of the Bolshoi Ballet's performance of Yuri Grigorovich's production of "Spartacus".

Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.

The rise and fall of the pirate mixtape empire of three brothers from Naples, Italy, during the '80s.

Inspired by her mom's rebellious past and a confident new friend, a shy 16-year-old publishes an anonymous zine calling out sexism at her school.

The Red Shoes is a tale of obsession, possession and one girl's dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion. Matthew Bourne’s magical adaptation of the classic Powell and Pressburger film is set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann, the production is orchestrated by Terry Davies, with stunning designs by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and projection design by Duncan McLean. Filmed live at Sadler’s Wells in London especially for cinemas.