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There's a lot to cover here. Bruce Parry's latest foray into tribal exploration goes further than the usual appeals to civilisation's lost sense of unity with the world. Don't get me wrong, it's there, making up the titular theme (Tawai literally translates to a relationship with nature), and categorising, for the first half or so, the film's primary message. But thereafter Parry takes an interesting turn, focusing on the psychological and sociological aspects of certain tribes in Borneo and the Amazon. Parry's thesis is that after the invention of agriculture sometime in the neolithic, and the subsequent abandonment of the hunter-gatherer lifestyle, human psychology, specifically the way we perceive and relate to the world around us, changed forever. Parry uses these nomadic tribes, still employing the hunter-gatherer way of life, as case studies to back up his claim. He also consults with experts in tribal sociology and neuroscience who posit corroborating ideas. And a third angle is seen through the lens of eastern philosophy, mindfulness and the illusion of self. Parry draws parallels between all three sections seemingly building a strong argument for a "better way of life": a right-hemisphere dominated (we in the west predominantly use the left), purely egalitarian, selfless existence. But with closer inspection the foundations appear weak: anecdotal accounts from tribes people are just exactly that; sociological structures are analysed and commended without any considerations for how they'd work in populations over 30; and the neuroscience (which I'm obviously not qualified to comment on) comes from one professional, which even by his own proclamation appears to be a fringe theory. And as far as my limited understanding goes, eastern philosophy has commanded authority only in 'spiritual' wisdom (philosophy of mind etc.) over the centuries, whereas the west is far superior scientifically, politically and ethically, build upon the ideas of the enlightenment. The film's lack of acknowledgement of this asymmetry worries me, even going as far as to portray the east as the superior. But the fact still stands, by every conceivable metric of human well being—life expectancy, child mortality, literacy etc.—living in the west is the best in the world. Nuggets of wisdom found in eastern tradition, buried beneath their many layers of sectarian mysticism, should be respected for what they are. And lessons about our relationship with the world from people living directly off it should too. But a loss of perspective can turn small lessons into large errors, mistaking a voice from the forest for a call back to it. I like plumbing.
In the world of computer games, there are players earning fight money as a PRO. They are sponsored by digital tool companies or beverage companies, and tour around the world to earn money in tournaments. This film goes over the days of Pro Gamers in Japan, USA, France and Taiwan.
A musical documentary woven around the endangered musical culture of the Rangdani Rabhas from Manikganj, Meghalaya, North East India.
Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.
The documentary focuses on the annual Mani Rimdu festival of Tibet and Nepal, an event which encapsulates the Himalayan Buddhist experience.
In the town of San Miguel Tzinacapan, in Puebla’s Nahua Mountain Range, a family lost its father. His absence transforms the lives of those who were so deeply connected to him. Tere, now in charge of the family, must make money by selling crafts. Jorge is about to finish school and will soon have to choose his own path. Chayo, 16, must make an important decision. A year has passed, and the members of the family have been able to redefine themselves, finding their own destiny while always venerating their father’s memory.
An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.
The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.
This documentary reveals the impacts of the Sixties Scoop, a period in which a series of Canadian policies enabled child welfare authorities to take, or “scoop up,” Indigenous children from their families and communities for placement in white foster homes. Explore Indigenous resilience through narrative sovereignty as experienced through the Little Bird series’ Indigenous creatives, cast, crew & community members.
A documentary about the technological progress responsibility in employment destruction, analyzed by philosopher Zygmunt Bauman and others.
How Inuit peoples perform arts and crafts, on the island of Baffin Island on what is now the territory of Nanavut.