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Do you know people in the neighborhood who don't talk to the police? Gone Baby Gone is directed by Ben Affleck and Affleck co-adapts the screenplay with Aaron Stockard from the novel of the same name written by Dennis Lehane. It stars Casey Affleck, Michelle Monaghan, Ed Harris, Morgan Freeman, John Ashton and Amy Ryan. Music is by Harry Gregson Williams and cinematography by John Toll. Private Investigators Patrick Kenzie (Affleck) and Angie Gennaro (Monaghan) are hired to find missing child Amanda McCready (Madeline O'Brien). It appears to be a simple case of a kidnapping, but the deeper the investigators go the darker the truths become. A potent drama, Gone Baby Gone offers up a mystery that is propelled by moral murkiness. Unsurprisingly given it's from a Lehane novel, the twists and deep characterisations dovetail seamlessly with the very real feel of a Boston neighbourhood, the sense of place and community superbly marshalled by Ben Affleck (in what was his debut as a director). The story is so strong it makes us the viewers part of the search for missing Amanda, which in turn forces us to answer the ethical quandaries thrust upon Patrick Kenzie. With tech credits firmly in the plus column and the director un-showy and assured enough to keep the key third act from dragging the picture down, this proves to be very good film making. Pic only has minor faults to be bothered by. Monaghan is a fine actress but she is hard to take here in a street wise role, though with a nicely cast Casey Affleck dominating their scenes she gets away with it. The sharp of mind should pick up on what is driving the mystery forward, whilst the ambiguity at resolution point can go either way for respective viewers appreciation or otherwise. But this is all told a rewarding piece of adult cinema and recommended for sure. 8/10
**Overall : A well-done mystery thriller with a melancholy tone that never lets up and ultimately leaves the viewer a little more sad than satisfied.** Ben Affleck's debut as a director was a decent start. Gone Baby Gone is a crime thriller with significant surprises and twists. The excellent cast and performances accentuated the emotional toll of working on a kidnapping case, and that emotional weight saturates every aspect of the film. Unfortunately, that heavy tone makes the movie a little challenging to enjoy. The dismal and somber mood throughout left me just feeling sad at the end. That poignant hopeless nature was clearly the goal and was well executed but keeps it from being a traditionally "enjoyable" film.
Private detectives "Patrick" (Casey Affleck) and "Angie" (Michelle Monaghan) are drafted in by the mother of a missing girl to try to find out what's happened. This is pretty much virgin territory for the pair, but they are local and so might be able to unearth sources unwilling to discuss with the police efforts being led by "Doyle" (Morgan Freeman). Now it's fair to say that the child's mother "Helene" (Amy Ryan) is probably not the most attentive of parents, but she is determined to be reunited with her daughter. What now ensues follows this investigation into their Boston suburb - one that takes them into contact with crooks, drug dealers and an whole fraternity of dangerous hoodlums. Their searching does, however, start to bear fruit - and not a kind of fruit that they really want to discover. The plot thickens and twists and evidence of just who did what and, as importantly, why emerges that causes quite a moral dilemma for the pair. There is a strong dynamic here between the very much on-form partnership of Affleck and Monaghan and the former's brother (Ben) directs this film with consistent pace and a plausible degree of menace. Serendipity takes just too much of an hand in the ending for my liking, but it's still a compelling and thought provoking story that ends up by asking us all a question - the answer to which is not necessarily straightforward. Freeman really only features sparingly, but there are solid supporting contributions from Ed Harris and, to a lesser extent, from Titus Welliver that all help deliver a taut and intriguing drama that is well worth a watch.
Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.
A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.
Josie Alibrandi is 17 and doesn't know where she belongs. This year, however, everything is going to change. Josie will face her fears, uncover secrets and even discover the true identity of her father.
The world is still reeling from the assassination of JFK - but has yet to lose his kid brother Bobby. In the midst of all this, a reluctant hero by the name of Lucien Rivard becomes enmeshed in a web of global political intrigue and corruption.
A dwarf and his poor, but loving, family who are forced out of their house by a real estate agent.
The shy Byung-tae has a crush on Mi-ran, a college student. He fails to win her over. Disheartened, Byung-tae runs away from home in search of something more. He wanders the streets when he meets and hangs out with Min-wu, a beggar. They walk around the city when they meet Chun-ja, a mute maiden, in the red district. With Min-wu's support, Byung-tae wants to help recover Chun-ja's voice and find her hometown. They rescue Chun-ja and head for her hometown.
Han Byung-tae, who teaches at a private after-school academy in Seoul, receives word that his old teacher has passed away and sets off to the rural village where he attended elementary school. In the train, he reminisces about the tough fights he used to get into back in the day.
A conservationst, stranded with his family at a Newfoundland coastal resort, flies in the face of custom and fights an entire community to prevent a trapped whale's slaughter with only the support of his wife and one of the locals.
A house by the sea has stood vacant for many years, after misfortune befell several owners, which an artist painting the house explains to a passergy. A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.
When an invisible man is run down by a car it’s up to an eager young reporter and a strange clown to bring a dangerous gang to justice.