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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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Stien den Hollander, stage name S10, a candid and vulnerable insight into her life. In the documentary, directors Linda Hakeboom and Rolf Hartogensis follow the life of the young singer for two years. S10 shares stories from her early childhood and about her psychological problems with unprecedented openness through her music. S10's career gains momentum due to her participation in the Eurovision Song Contest, but her past continues to haunt her. Doubt, fear and uncertainty arise in the whirlwind of her artist life.
A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
A documentary on the music, performers, attitude and distinctive look that made up punk rock.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Segregation, abandonment, and the meaning of home are discussed by the people that lived in, worked at, and crusaded for one of the largest and oldest Intellectual and Developmental Disability Institutions in the United States. The facility, in its closing, challenged society's perception of those with intellectual disabilities and ultimately fought for better rights.
Rylan Clark-Neal narrates a guide to all things Eurovision and takes a sideways look at the greatest singing contest on the planet. The A-Z of Eurovision features all the disasters, the costume changes and memorable musical moments from 65 years of Eurovision.
London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.
A 2008 documentary and debut feature film of Bafta-Award nominated director Jamie Jay Johnson. It follows the lives of the participants of the Junior Eurovision Song Contest 2007, specifically the entrants from Belgium, Bulgaria, Cyprus and Georgia. The film sees them proceed from the national finals that saw them crowned the representatives of their country through to the international song festival itself held in Rotterdam, the Netherlands where they each compete against 16 other acts.