Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
The Fabulous Four 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Price Is Right - (Jan 31st)
The Kelly Clarkson Show - (Jan 31st)
The Young and the Restless - (Jan 31st)
Hannity - (Jan 30th)
Jesse Watters Primetime - (Jan 30th)
The Last American Vagabond - (Jan 30th)
Richard Osmans House of Games - (Jan 30th)
Four in a Bed - (Jan 30th)
Come Dine With Me- South Africa - (Jan 30th)
The Nature of Things - (Jan 30th)
The Dog House - (Jan 30th)
The Apprentice - (Jan 30th)
Tyler Perrys Sistas - (Jan 30th)
Katy Tur Reports - (Jan 30th)
Pictionary - (Jan 30th)
Chris Jansing Reports - (Jan 30th)
Andrea Mitchell Reports - (Jan 30th)
Piers Morgan Uncensored - (Jan 30th)
Brian and Maggie - (Jan 30th)
Nature - (Jan 30th)
A portrait of Frank Lloyd Wright (1867-1959), a genius of modern architecture, whose life passed between glory, scandal and tragedy.
Documentary about the 1970 film, "End of The Road."
A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.
The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.
For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
A portrait of the Spanish actress María Casares (1922-96).
A disturbed, but highly intelligent man is sent to a criminally insane hospital to serve time and rehabilitate. But when he arrives, he discovers it's in fact a closed world where brutality is an everyday occurrence.
The American writer Stephen King has been one of the world's best-selling authors for decades. How can the overwhelming success of his numerous works be explained? Perhaps by the boundless inventiveness of his literature? And what else is behind the longevity of his astonishing career?
Award-winning filmmakers Jean-Pierre and Luc Dardenne profess their love for the classic "Modern Times." The directors expose their views on the many aspects of the film, Chaplin's brilliancy and they also provide interesting details about the making of Chaplin's masterpiece.