Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
The Gutter 2024 - Movies (Mar 4th)
Smile for the Dead An Examination of Spirit Photography 2025 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
Levels 2024 - Movies (Mar 4th)
The Undercover Police Scandal- Love and Lies Exposed - (Mar 7th)
Inside the Tower of London - (Mar 7th)
Tales from the Riverbank - (Mar 7th)
The Beat with Ari Melber - (Mar 7th)
Greys Anatomy - (Mar 7th)
Elsbeth - (Mar 7th)
Ghosts - (Mar 6th)
The Bold and the Beautiful - (Mar 6th)
The Young and the Restless - (Mar 6th)
Deadline- White House - (Mar 6th)
The Apprentice - (Mar 6th)
Katy Tur Reports - (Mar 6th)
Chris Jansing Reports - (Mar 6th)
Clean It, Fix It - (Mar 6th)
The Z-Suite - (Mar 6th)
Come Dine With Me- South Africa - (Mar 6th)
The Tucker Carlson Show - (Mar 6th)
Piers Morgan Uncensored - (Mar 6th)
Tour de Fred- Northern Ireland - (Mar 6th)
Paradis City - (Mar 6th)
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
A short film that transforms the chat-room of a porn-forum into a techno-feudal court.
What happens when a group of international artists travel to North Korea to create art like the regime have never seen before? While the world is on the verge of nuclear war, a group of Western contemporary artists are invited into the eye of the storm. The aim is to collaborate with North Korean artists in a creative exchange project displaying new and challenging art in a country where abstract art is forbidden.
The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through hell with fascinating and exciting insights into Botticelli's art and its hidden story.
Jim Dine at work and at home. Includes footage of Dine discussing his life, his artistic development, and what is called "ugly" in his work. Examines a number of Dine's works from different periods, including his tie paintings, tool paintings, palettes, collages, and "happenings," and considers Dine's concern with objects in his work.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.