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Click here for a video version of this review: https://youtu.be/zHv4OKXSf08 I've watched a lot of documentaries, and few have left me scratching my head as much as _Voyeur_. This is a Netflix Original Documentary that has been in the catalogue for a while. It's a bit of an odd one, and putting this review together has been hard nail down exactly what was so frustrating about it. Let's start with the official description: _Legendary journalist Gay Talese unmasks a motel owner who spied on his guests for decades. But his bombshell story soon becomes a scandal of its own._ The core or catalyst for this is a man named Gerald Foos who bought a motel with the specific intention of engaging in his hobby of watching people. He purposely chose a motel that had a roof pitch high enough that he could install what he called an "observation platform" along the ceiling cavity to that he could shimmy along it and spy on the people in the rooms below through the air vents. Sounds a bit like some kind of horror movie doesn't it? It is, but the documentary barely spends any time on this aspect of the story, and I think this is where my frustration comes from. They never really address the fact that this guy was spying on people in their hotel rooms, every night, in their most intimate moments. It seems more interested in Foos as a character, and as a result the things he did are kinda swept aside like they were no big deal. There is little, if any discussion of the wrongness or immorality of what he did. So, far from being a documentary about this a-hole and what he did, it is instead more a documentary about how a journalist pulls together an article over a period of years. It seems unsure about exactly who the subject of it is. They voyeur of the title is definitely there all the way through, but this in the end felt like it was more about Talese. I didn't not know what to make of this once it was all over. It has its interesting parts, but I'm having a hard time recommending it.
Roger Corman & William Shatner are talking about the making of 'The Intruder'.
Surrounded by his children, his wife Ethel, and Sammy Davis, Jr., RFK visits schoolchildren around the city, and is every bit the good patriarch and dutiful public servant. But it’s the films’ fleeting, in-between, moments where Pennebaker most precisely hits the mark, offering reflection on the possibilities that Robert Kennedy’s all too brief life foreclosed. Set against the pageantry of a long ago Christmas, the film speaks to tragic contingencies of history lying far beyond the ken of politics that continue to circumscribe the tortured destiny of our country.
Everything Ford had hoped for - and more, much, much more. Not many cars become legends the moment they roll out of the factory but Ford's Escort RS Cosworth is one of them. Hand-built to take on the emerging Japanese dominance in World Rally, the "Cossie" proved a success on the forecourt as much as on the World's rally stages. But what is the true story behind this memorable car? Was the prototype really a hacked-about Sierra? Was it really driven incognito up and down the A12 This fascinating 1990s film, finally available on DVD, holds all the answers as the men behind the project explain its development… and the men behind the wheel show us what it was made of!
M2M's first original long-form documentary, Battle at Versailles, follows an event in 1973 at Palace of Versailles where top French designers such as Yves Saint Laurent and Pierre Cardin faced of against American newcomers Oscar de la Renta, Bill Blass, Anne Klein and Halston. That pitted France’s best designers against the best America had to offer. It was the first time the fashion world's gaze was fixated on American design.
For the first time, audiences get a behind-the-scenes glimpse into NYC's famed improv show by UCB: Asssscat.
This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.
Delves into the history of software development that started as a woman-led industry but has evolved into a majority white-male and Asian-dominated industry. It tackles the tough topic of why women as well as black and Latinx people don’t pursue software careers. The film aims to shine a light on how amazing a career in software can be and how diversification makes better software and can be a generational change for many.
Mixed with fiction and documentary, the film relives the interviews conducted by the writer Clarice Lispector published in the magazines "Manchete" and "Fatos and Fotos" in the 1970s.
Computers, smart phones, and tablets are now a part of our daily lives. They have revolutionised the way we work, the way we communicate and the way we view the world. But what happens to our old phone when we upgrade? Where does our broken computer go after we throw it out? 'e-Life' explores what happens to our electrical goods when we throw them away and exposes some unpleasant (and perhaps unknown) truths about the detrimental affects e-waste has on people's health, the environment and the economy. From consumers in the UK to the recyclers in the dumps of Ghana, the documentary will follow the journey of our e-waste. We will examine current manufacturing and disposal processes and also assess the burden the boom in electronic goods is placing on global resources. 'e-Life' will be an objective portrayal of the problem of e-waste that documents the issue through carefully crafted cinematography.
The film portrays the first five female members of the Swedish Riksdag, Kerstin Hesselgren, Elisabeth Tamm, Agda Östlund, Nelly Thüring and Bertha Wellin.