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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
_Dead in Tombstone_ is not a movie I ever expected to see a sequel to. And this movie is not at all the direction I would have guessed at said sequel taking. But _Dead Again in Tombstone_ is a thing that happened, so I guess I was _dead wrong_. It's not quite as good as the original (and the original was not exactly a five star affair itself) . But _Dead Again_ does prove watchable, especially in the hit-and-miss field of today's Westerns, mostly thanks to the feud between Danny Trejo and a surprisingly bearable Jake Busey. It might lean a little too hard into the "mythology" angle when compared to its predecessor, but all told, _Dead Again in Tombstone's_ existence may have come as a surprise, but not an unpleasant one. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The first movie, Dead in Tombstone, was fairly okay. Not great but okay. This movie, the second instalment, was a bit of a disappointment though. The general idea is a good one. At least it is one I would generally have liked. However, it is really poorly implemented. Danny is supposed to be the devil’s servant imbued with supernatural powers and supposed to kick some serious ass. You know, a bit like Ghost Rider in the old west. Unfortunately he is nothing but. Most of the time he is roaming around sulking and trying to patch things up with his daughter. He is really not showing much in terms of terrifying presence or supernatural powers. Whenever he springs into action he is just blundering in shooting at everything that moves and usually he gets shot up and “dies” in the process. Afterwards he get’s revived and the process starts all over again. Towards the end of the movie we finally get some supernatural action but it is really too late to save it and not really that impressive to begin with. On the whole the script is pretty bland and unconvincing. It is more suitable for a TV-show episode than a feature movie. Really a shame. I generally like Danny Trejo when he is playing badass.
**The sequel died in Tombstone.** If the first film already seemed quite cheap and didn't bet so much on quality, this film is even worse and more miserable. They are both niche films, oriented to satisfy a certain part of the public that looks for raw action films, and not that elegant and classic cinema that almost everyone likes. However, I don't know if this was even able to satisfy the audience for which it was intended. The problems start with the script, miserably written, and the poor and slick conception of the characters. After abandoning the service of the Devil, Guerrero (in essence he is a recycling of the Ghost Rider, minus the flames and bones) remains immortal and doing justice around. But in this film he'll have to go further and effectively protect a mysterious evil relic that's endlessly sought after by Jackson Boomer, a former Confederate colonel who's hell-bent on unleashing absolute evil upon the land, and who won't hesitate to threaten Guerrero's daughter to get it. In addition to the endless errors of anachrony, capable of making the mind of an American history teacher boil with indignation, the film falls into successive clichés that make it dull and a little absurd. Furthermore, the action is so intense that the film feels like a gigantic video game, and we never feel any real emotion. If the main character seems purposeless, now that he is doggedly protecting a relic without any sense or religious basis, the villain is even worse: I had already noticed in some films that it is interesting to give the villain the uniform of the Confederates (“The Hateful Eight”, for example), but has everyone already forgotten that in wars, and in armies, good and bad men fight on both sides of the barricade? Danny Trejo doesn't add anything here that he didn't do better in the first film. He's not a bad action actor, but he's a ham in the sentimental scenes, especially when he tries to play with Elysia Rotaru, who plays the hero's sexy and not-too-defenseless daughter. Jake Busey isn't particularly good either, and never poses a real threat no matter how hard he tries, and Elizabeth Lavender is sidelined for most of the film. As with its predecessor, it bets everything on cheap and permanent action, almost turning into a rock movie or a video game, given the amount of auditory and visual noise, and the poor quality of what is presented to us. It's a rather unfortunate film that would have done better had it never been released.
A murderer finds himself on trial in Hell, caught between a bitter prosecutor and an inexperienced defence attorney. The trial spins out of control when a powerful demon, Lucifer and people from the killer’s past become involved.
After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.
13-year-old Jimmy Morgan is possessed by an evil too powerful to be exorcised by any religion. After escaping from a mental institution, Jimmy is back with a vengeance - and an army of children who follow his every murderous desire.
Gabriel tells the story of an archangel who fights to bring light back to purgatory - a place where darkness rules - and save the souls of the city's inhabitants.
After the lord of darkness decides he will not cede his throne to any of his three sons, the two most powerful of them escape to Earth to create a kingdom for themselves. This action closes the portal filtering sinful souls to Hell and causes Satan to wither away. He must send his most weak but beloved son, Little Nicky, to Earth to return his brothers to Hell.
Confined to a mental hospital, young Kirsty Cotton insists her supposedly dead father is stuck in hell, controlled by sadomasochistic demons after being betrayed by his evil, occult-obsessed wife, Julia. Few believe Kirsty, except the thrill-seeking Dr. Channard, who is intrigued by the young woman's lurid stories. So when Kirsty and fellow patient Tiffany head to hell for a rescue, Channard and Julia are close behind.
Three generations of the same family deal with the consequences of unleashing the forces of hell.
When Keira Woods' daughter mysteriously vanishes in the cellar of their new house in the country, she soon discovers there is an ancient and powerful entity controlling their home that she will have to face or risk losing her family's souls forever.
A phycological thriller inspired by Dante's Inferno exploring topics of hell in the mind of someone insane. Psychopathic teenager Cyrus's life spirals out of control after he gets a job at a conservatory and starts seeing visions of his parents before he was born.
The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.