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masterpiece
Even in the writing of this review, I continue to toss ‘The Souvenir’ around in my mind. I left the cinema disappointed and frustrated by it, wishing it had let me in more instead of simply presenting itself to me, but a friend had told me that it is a film that grows on you. I think they may have been right. The more I interrogate Joanna Hogg’s film, just as Joanna Hogg interrogates her own life, the more fascinating questions and provocations I find. Right now, I like the film more than love it, but I said the same a year ago about Chang-dong Lee’s ‘Burning’, and on my second viewing realised that was actually a masterpiece. I’m not sure the same will happen with ‘The Souvenir’, but I wouldn’t be surprised if, when you ask me my thoughts on it in a year, my answer may be different from what it is now. Perhaps the most intriguing aspect of ‘The Souvenir' is that Hogg always intended for it to be a two-part film, with Part II currently filming. Maybe it’s just that we haven’t seen where else she intends to go, what is next in Julie’s development as an artist, how tragedy will shape her as an artist and as a human being. In that sense, despite its flaws, ‘The Souvenir’ may be one of the most interesting provocations in independent cinema in the last few years. The more I think about it, the more I’m keen to try it again, and the more I’m keen to see where Julie’s story goes next. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-the-souvenir-a-flawed-but-fascinating-act-of-autobiography
I am not quite sure what Joanna Hogg was trying to achieve here. The depressing inevitability of the film's conclusion left by little jeopardy with the plot. The performances were fine, but nothing more - and the manipulative toxicity of Anthony's (Tom Burke) behaviour towards Julie (Honor Swinton Byrne) isn't developed anywhere near enough. The film does look good, though!
Short film inspired by true events following a young girl, Mae, who confronts her bullies with the help of her horse.
Meis is fifteen, lives in the back of beyond and aspires to a grand and stirring life, but all that happens is the passing of the time, waiting for the next car to run into the front of the house.
Eden is a coming-of-age film about a Protestant Confirmation camp on a summer’s week, set in the archipelago of Helsinki. Aliisa is the intellectually confident non-believer, Jenna is the queen bee and Panu is the scared bird. The experience of these teenagers is affected by Tiina, a young and eager priest.
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry after the shipwreck, everyone is afraid of him, except for Amy, who is very kind and helps him. Soon he becomes like a son for Dr. James Kennedy and romance between Yanko and Amy follows.
In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.
Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.
A woman employs a gay man to spend four nights at her house to watch her when she's "unwatchable".
Augusto and Michaela Odone are dealt a cruel blow by fate when their five-year-old son Lorenzo is diagnosed with a rare and incurable disease. But the Odones' persistence and faith leads to an unorthodox cure which saves their boy and re-writes medical history.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
A young woman working at a retirement home takes an elderly man living there on an excursion into the countryside, but the two wind up stranded in the titular forest.