The Lion Has Wings

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

World Order is a nearly two-hour documentary film by documentary film director Vladimir Soloviev examining the vast political changes in the world since the fall of the Soviet Union in 1992. The film was first broadcast on Russian television channel Pervy Kanal on December 20.

Robert Mitchum narrates an anti drug propaganda film.

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

A documentary about how Russia has been using popular culture as a weapon against Ukraine for decades. Together with industry participants, the film's narrator, musician Albert Tsukrenko, explores the financial, political and psychological reasons for the vulnerability of Ukrainian artists and reflects on how to break this vicious circle. Unfortunately, our own Ukrainian talents are becoming the ammunition in this weapon. Several generations of original Ukrainian musicians at different times in the 1970s and 1980s, 1990s and 2000s, and 2010s switched from Ukrainian to Russian in their work. Whether willingly or unwittingly, they became tools of Russian show business, which has always sought to blur the cultural border between Russia and Ukraine and worked to promote the imperial myth of "one nation".

How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.

Based on the book of the same title by best-selling author Henry Buckton, this film is enhanced by a fascinating series of interviews with a wide variety of people who played a vital role in Britain’s ‘finest hour’. Included are the captivating accounts of six fighter pilots who risked their lives day after day to combat the Luftwaffe, which was at that time greatly more experienced in aerial warfare. Their memories are enhanced by the recollections of a gunner, two members of the 400,000-strong ground crew who kept as many aircraft flying as possible, a barrage balloon operator and men who helped to build Spitfires.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A holiday of sorts for Stockport army reserves, fitting high-jinks between drills over two weeks of summer training in South Wales.