War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
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One Killer Question - (Mar 29th)
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Charlie Says “follow my ruthless indoctrination with limited psychological depth”. Charlie also says “forget about ‘Doctor Who’, I can be a credible talent by portraying a notorious serial killer with a bushy beard and questionable accent”. What Charlie forgot to say though was “it’s still an ill-mannered interpretation of events that rarely conveys humanisation within its real-life human characters”. For a year that had approximately three feature-length titles depicting the murder of Sharon Tate, Harron’s meticulous angle is the most welcomed approach. Purely focusing on the “family” and how Manson brainwashed them into believing his own radical fantasy, the story hones in on a psychologist assisting three female followers in realising the reality of their heinous actions. Consequently, the narrative written by Turner is constructed through the tired structure of flashbacks, whilst holding an ounce of gravitas. And I can visibly touch the intangible perspective that Turner aimed for. Almost tasting its ingenuity. Proposing a psychological position of events that have been retold repeatedly within cinema, by targeting the process of curing indoctrination. Yes, Sharon Tate and other rich folk get slashed, stabbed and butchered. However, instead of showcasing those murders for the sake of fulfilling the sadism of viewers, it holds intentions. Crucial events in the escalation of Manson’s brainwashing capabilities, puppeteering his female marionettes. Producing credible grounds for psychological analysis. The fundamental issue though, is that the analysis and exploration of this psychosis is incredibly shallow. A noticeable absence of gradual cognitive dynamics between protagonist Leslie (aptly named Lulu by Manson) and her new leader. Manson’s omnipotent stance is addressed immediately with no real progressive foundations. An impressionable Leslie is recruited and just happens to follow Manson’s orders without hesitation. That inner moral conflict between everything she once knew and all that she relinquished was missing. Occasionally, her abrupt pauses and glistening eyes, which were portrayed eloquently by Murray, illustrated indications of self-questioning. Yet somehow felt forced, juxtaposing her initial stance when recruited. Fortunately their incarceration at the institution meant that their ideals and beliefs could be interrogated, likening Manson’s infectious faith to an extreme Christian denomination. Although not as much of the runtime was expended on this acute angle that would’ve made for a more engaging psychological drama. A shame really as it wastes the talent of Wever. Smith offered a credible portrayal of the eponymous murderer, yet personally was unable to break away from his usual quirks cemented in his stint on ‘Doctor Who’. The whole talking to inanimate objects and nonsensical splurges about nothing. It must be infuriatingly difficult for him, but he did a decent job by showcasing his versatility. Even if his Northamptonshire accent popped in to say “alright mate?” from time to time. Overall, a frustrating biographical film, I must say. The approach to the “family” was, dare I say, near-perfect. However the absence of emotional, psychological and structural depth resulted in a middling drama that simply retold events, rather than powering them. Charlie said “jump!” but Harron and Turner were unable to reach his intended height. Missed opportunity to title this “Charlie’s Angels” though...
While celebrating their reconciliation and six years of marriage, American actress Sally Nash and British novelist Joe Therrian receive their close friends, some colleagues and their next door neighbors in a party. Under the effect of Ecstasy, revelations are disclosed and relationships deteriorate among the group.
Elijah has been bounced from group home to group home throughout his turbulent young life. What has sustained him is his art. After a promised scholarship is taken away, Elijah ends up in a fight that result in the death of another boy. Now, sentenced to a minimum of fifteen years, the young man must find a way to keep his soul alive behind bars or turn into a hardened bitter criminal.
Following her parents' wishes, spirited seventeen-year-old Effi Briest marries Baron von Innstetten – a former admirer of her mother – who is twenty years Effi's senior. This marriage of prudence heralds the beginning of a humdrum life, far from home, for Effi. Innstetten devotes himself entirely to his political career, and the sleepy small town of Kessin has very little to offer in terms of variety. But then, one day, Innstetten's old regimental comrade, Major Crampas – a charming womanizer – arrives on the scene.
Soon to be a father, Mark feels the pressure of domestic responsibility closing in, so he is more than happy to accept when his old friend Kurt proposes a camping trip in the Oregon wilderness. During their time together, the men come to grips with the changes in their lives and the effect on their relationship.
A young Englishman dreams of escaping from his working class family and dead-end job as an undertaker's assistant. A number of indiscretions cause him to lie in order to avoid the penalties. His life turns into a mess and he has an opportunity to run away and leave it all behind.
When married British women Rose Arbuthnot and Lottie Wilkins decide to take a break from their respective spouses, they stay at a castle in Italy for a quiet holiday. Joining the ladies is Caroline Dester, a young socialite, and Mrs. Fisher, an older aristocrat. Liberated from their daily routines, the four women ease into life in rural Italy, and each finds herself transformed by the experience.
A group of villagers from Maranur, India, and their clash with a neighbouring village leader as their community begins to prosper. Soon, money and greed threaten a will for peaceful coexistence between the two rivalling communities.
When Vilem appears in the road with an unconscious young woman, it disturbs the peaceful life of three generations of the Balvínova family.
1971. Three pregnant teenagers are interned in a flat in Bilbao to hide what in that time was a terrible disgrace, to be a single mother. Current time. Violet, NORA NAVAS, is a brave, strong woman that will insist on finding the truth. Helped by Angel, MIKEL LOSADA, what happened in that flat in Bilbao during the last days of Franco regime.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.