Guerra de Algodão

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life emotional attachment and lesbian identity in a culture that glorifies youth and heterosexual romance.

Bauji resists his daughter's request to let her marry the man she loves as the villagers incessantly shame him. However, his opinion changes after he meets him and he decides to change his viewpoint.

East Berlin, shortly after the construction of the Berlin Wall. Kurt Schröder and his family dig a tunnel to escape to West Berlin as they struggle to overcome the obstacles blocking their underground path to freedom.

George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.

A retired farmer and widower in his 70s, Alvin Straight learns one day that his distant brother Lyle has suffered a stroke and may not recover. Alvin is determined to make things right with Lyle while he still can, but his brother lives in Wisconsin, while Alvin is stuck in Iowa with no car and no driver's license. Then he hits on the idea of making the trip on his old lawnmower, thus beginning a picturesque and at times deeply spiritual odyssey.

A son comes to Leningrad on the birthday of his mother. He is the director of a large Siberian construction, twice married, happy in work, and in family life. His second wife Lida is also here. She brought her son and daughter with her. The youth of the mother of the family fell on the 30s. Life practically did not change its principles and beliefs. And it's not clear to her children, and even more so grandchildren, for whom her ideals do not mean anything.

Ran and Leela are passionately in love with each other. The only problem is that their respective clans have been enemies for 500 years.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

Plot kept under wraps; An original feature-length coming-of-age drama film with semi-autobiographical elements that's currently in the early screenwriting stages.