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A Pakistani Briton renovates a rundown laundrette with his male lover while dealing with drama within his family, the local Pakistani community, and a persistent mob of skinheads.
A young man spurs romance and helps his friend and himself go through the struggles of their ordinary life in Denmark.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
Five women trapped in an elevator confess their bitter life experiences caused by evil men and society.
In the form of an allegory of society, the film denounces a system dominated by money and power relations while focusing on the violence that structures cause on human relations.
Broke and stranded in England, American sportsman Larry Brooks and his pal Ambrose take increasingly odd jobs to remain in proximity to the aristocratic lady that Larry would woo.
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things don't go too smoothly.
Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess - but things do not go as planned.
It is 1968 and Marianne is nineteen years old. She has been sent to a home for young girls, far from her family and friends. Here she meets other girls whose secrets have turned their lives upside down.
In an increasingly oppressive modern age, the characters of this film are subject to the alienation and meanness that characterizes today’s days.